Duet with Two Obbligato Eyeglasses WoO 32 for Viola and Cello Cover Image

Duet with Two Obbligato Eyeglasses WoO 32 for Viola and Cello: Book, Strings

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Duet with Two Obbligato Eyeglasses WoO 32 for Viola and Cello Cover Image

Duet with Two Obbligato Eyeglasses WoO 32 for Viola and Cello: Book, Strings

By Ludwig van Beethoven / ed. Fritz Stein and Karl Haas

Item: 98-EP3375AB

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-57-708113-6
ISBN13: 979-0-57-708113-7
SKU: 98-EP3375AB

More about this title

About the Composer: Ludwig van Beethoven

Beethoven's catalogue extends far beyond his symphonies and sonatas. His chamber works reveal a composer willing to experiment with instrumentation and form, often writing for unusual combinations that challenged performers and audiences alike. The WoO (Werke ohne Opuszahl, or works without opus number) designation marks pieces that fall outside his numbered output, many of them occasional works or sketches that reveal his creative process.

Why we love this

Beethoven's humor surfaces in unexpected places, and this duet captures that wit alongside genuine musical substance. The obbligato eyeglasses reference is pure Beethoven mischief, but the writing for viola and cello is inventive and rewarding, offering players a chance to explore his voice in a more intimate chamber setting than his major works typically allow.

What to expect

Witty and conversational, with the intimacy of two musicians in dialogue. There's a lightness here that doesn't sacrifice musical substance, making it feel both playful and genuinely engaging to perform.

Who it's for

Intermediate to advanced string students ready to explore Beethoven's chamber writing beyond the standard repertoire. This work suits ensembles interested in programming unusual duets that showcase both technical skill and musical collaboration.

How to get the most out of it

  • Pay attention to the independence of each line; both instruments carry material of equal importance rather than one supporting the other.
  • The title's playful nature shouldn't distract from the musical logic underneath; treat the work with the same care you'd give his opus-numbered compositions.
  • Balance tone production between the two instruments so neither dominates the sonic landscape.

How to use it

Program this on a chamber concert focused on string duets or lesser-known Beethoven works. It pairs well with other WoO compositions, offering audiences a glimpse of Beethoven's exploratory side while maintaining concert-appropriate substance.

Skills your students will build

  • Reading and performing obbligato figurations
  • Balancing two equal melodic lines in ensemble
  • Understanding Beethoven's approach to chamber instrumentation
  • Coordinating rhythmic precision across two independent parts

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