Duerme, Negrito Sheet Music Preview

Duerme, Negrito: SATB Choral Octavo

Arr. Robert DeCormier

Item: 00-PO-0005073

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$2.25

Minimum order quantity: 20 copies

Description

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0005073

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier studied conducting at the Juilliard School and went on to lead the New York Choral Society for seventeen years while maintaining an active career as a guest conductor with opera companies and concert ensembles. He served as music director for Peter, Paul and Mary from 1978 to 2010 and spent five years on the conducting faculty at the Eastman School of Music. His work with Harry Belafonte as conductor and arranger cemented his reputation for bringing folk traditions and world music to concert stages across North America.

Beyond his conducting roles, DeCormier established himself as a prolific arranger of spirituals, American folk songs, and international repertoire. He founded the professional vocal ensemble Counterpoint in 2000, which released six recordings and ran an extensive workshop program with high school choirs throughout New England. His contributions to music education and the arts earned him the Vermont Governor's Award for Excellence in the Arts in 2002 and a Lifetime Achievement Award from the New England Choral Arts Foundation in 2006.

Why we love this

DeCormier's arrangement brings warmth and accessibility to this Latin lullaby while preserving its cultural authenticity. The SATB voicing sits comfortably for most choirs, and the Spanish text paired with DeCormier's sensitive harmonic choices makes this a natural fit for programming that celebrates multicultural traditions without oversimplification.

What to expect

This arrangement carries the gentle, intimate quality of a mother's song, with harmonies that feel both grounded and lyrical. The Latin character emerges naturally from the melody and text rather than through rhythmic affectation, creating a piece that feels both accessible and genuinely cultural.

Who it's for

Choirs seeking repertoire that expands their cultural literacy and offers a singable, emotionally engaging piece for concert or community settings. This works well for ensembles with at least moderate sight-reading skills and experience with Spanish diction.

How to get the most out of it

  • Shape the melodic lines with gentle, connected phrasing rather than percussive articulation; this is a lullaby, and the text should breathe naturally.
  • Balance the soprano line without letting it dominate; in a piece built on layered harmony, blend matters as much as clarity.
  • Attend to the Spanish pronunciation carefully, especially vowel consistency across the ensemble, so the text carries its intended warmth and intimacy.
  • Explore the harmonic colors in the arrangement by listening to how inner voices support the melody; DeCormier's writing rewards careful voice balancing.

How to use it

Pair this with other Latin or Spanish-language repertoire to build a thematic concert segment, or use it as a contrasting moment in a program that moves between cultures and styles. The modest page count and warm character make it suitable for both formal concerts and educational outreach performances.

Skills your students will build

  • Singing in Spanish with authentic pronunciation and vowel shapes
  • Balancing four-part harmony where inner voices carry important harmonic color
  • Interpreting lyrics in a second language and conveying meaning across language barriers
  • Phrasing in a legit, song-like style rather than rhythmically driven approach

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