Due North: Concert Band Conductor Score & Parts
By Michael Sweeney
Grade: 2.5
Item: 35-PK00292166
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Due North - Full Score | $10.00 | |
| Due North - Flute | $6.00 | |
| Due North - Oboe | $6.00 | |
| Due North - Bassoon | $6.00 | |
| Due North - Bb Clarinet 1 | $6.00 | |
| Due North - Bb Clarinet 2 | $6.00 | |
| Due North - Bb Clarinet 3 | $6.00 | |
| Due North - Bb Bass Clarinet | $6.00 | |
| Due North - Eb Alto Saxophone 1 | $6.00 | |
| Due North - Eb Alto Saxophone 2 | $6.00 | |
| Due North - Bb Tenor Saxophone | $6.00 | |
| Due North - Eb Baritone Saxophone | $6.00 | |
| Due North - Bb Trumpet 1 | $6.00 | |
| Due North - Bb Trumpet 2 | $6.00 | |
| Due North - F Horn | $6.00 | |
| Due North - Trombone | $6.00 | |
| Due North - Baritone B.C. | $6.00 | |
| Due North - Baritone T.C. | $6.00 | |
| Due North - Tuba | $6.00 | |
| Due North - String Bass | $6.00 | |
| Due North - Percussion 1 | $6.00 | |
| Due North - Percussion 2 | $6.00 | |
| Due North - Mallet Percussion | $6.00 | |
| Due North - Timpani | $6.00 |
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Description
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More about this title
About the Composer: Michael Sweeney
Michael Sweeney stands among the most prolific and performed composers for concert band today. His output spans overtures, marches, and substantial concert works that consistently balance accessibility with musical substance, making him a cornerstone of band repertoire at all levels.
Why we love this
Sweeney captures the energy of athletic motion without relying on cheap tricks. The single-tempo constraint forces compositional ingenuity; instead of tempo shifts, he manipulates texture, orchestration, and thematic content to sustain forward momentum for three minutes straight. The result feels urgent and cohesive.
What to expect
The piece evokes kinetic energy: the rush of motion downhill or the chase through snow. It maintains relentless forward drive through rhythmic propulsion and a stream of interlocking themes. There's genuine joy in the writing, rooted in the character of motion rather than sentiment.
Who it's for
Bands looking for a legitimate concert opener that doesn't require transpositions or unusual instrumentation. The Grade 2.5 level ensures accessibility while Sweeney's orchestration keeps it engaging for stronger ensembles as well.
How to get the most out of it
- Establish the rhythmic pulse in the percussion section early in rehearsal and keep it metronomically consistent. This heartbeat supports everything else.
- Shape the thematic passing among sections as a conversation rather than a relay race. Hear the handoffs clearly in your ear so the band executes them with intention.
- Balance the driving rhythm with the melodic content. At Grade 2.5, the temptation is to rush the exciting passages; lock the tempo and let the excitement come from articulation and ensemble precision instead.
How to use it
Place this as your concert opener to establish energy and confidence immediately. It pairs well with a contrasting lyrical work in the second half of the program. Works equally effectively at a festival setting where a snappy, propulsive opener sets the tone for your group's performance.
Skills your students will build
- Sustaining a single tempo while managing textural variety and phrasing
- Ensemble precision at a brisk tempo across section transitions
- Thematic continuity and melodic line awareness across different instrument families
- Rhythmic precision in ensemble percussion parts