Due a Due, Opus 88a: Soprano Saxophone & Percussion Parts

Hummel's integration of jazz vocabulary into the soprano saxophone idiom feels organic rather than grafted on, giving soloists real material to sink their teeth into beyond typical classical arrangements. The seven-section architecture provides structural interest without overwhelming a performer, making this a compelling choice for a soloist ready to explore contemporary concert music with jazz inflection.

The piece unfolds like a conversation between the classical and jazz worlds, opening with introspection before the saxophone begins to swing and improvise within composed forms. The presence of percussion throughout creates a living, interactive partnership rather than a simple accompaniment.

This work suits soprano saxophone soloists who have progressed beyond beginner repertoire and are comfortable with both classical phrasing and jazz-inflected rhythms. It works equally well for advanced high school soloists and college-level performers looking for contest or festival material.

• Shape the slow introduction with vocal phrasing; treat silence between phrases as actively as you treat the notes themselves.
• Lean into the rhythmic swagger of the jazz-influenced figures rather than over-articulating. Lightness and swing will serve the writing better than precision alone.
• Coordinate closely with the percussionist on the transitions between sections; these points need clarity to prevent the seven-part form from feeling episodic.
• Explore the full dynamic range available to the soprano saxophone, especially in the middle sections, to keep the listener engaged across the single-movement arc.

This is ideal programming for a jazz-forward concert or a recital exploring contemporary chamber works; it reads as ambitious without being alienating to an audience. The one-movement design makes it a strong closer or centerpiece for a solo soprano saxophone set.

• Phrasing and tonal control in extended, legato lines
• Rhythmic flexibility and swing articulation
• Stylistic navigation between classical and jazz vocabularies
• Listening and responding to a percussion partner in real time
• Interpretation of multi-sectional form without text or conductor