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Dualities: Chamber Orchestra

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Dualities: Chamber Orchestra

By Emily Howard

Item: 98-EP73669

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Description
Dualities by Emily Howard is a contemporary work for an ensemble of 14 players. The work is an expression of the fascination with the juxtaposition of extremes and explores relationships between emotion and reason, constructivism and spontaneity, complexity and simplicity. The resultant musical structure is an accumulation of transitions between contrasting soundworlds. Dualities was commissioned by Ensemble 10/10, the Contemporary Music Group of the Royal Liverpool Philharmonic who gave the first performance on 5 October 2005 at the Eleanor Rathbone Theatre, University of Liverpool. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.

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Additional Details
Publisher: Edition Peters
Page Count: 56
ISBN10: 0-577-02329-2
ISBN13: 979-0-577-02329-8
UPC: 9790577023298
SKU: 98-EP73669
Instrumentation: Chamber Orchestra

More about this title

About the Composer: Emily Howard

Emily Howard is a British composer whose work explores the intersection of mathematical structure and emotional expression. Her compositions often investigate conceptual themes through densely layered, evolving textures that challenge conventional harmonic and structural expectations.

Why we love this

Dualities demands serious listening from both performers and audience. The piece's architectural clarity about its own conceptual framework makes it an excellent entry point for ensembles ready to engage with contemporary music that thinks structurally without sacrificing sonic beauty.

What to expect

Dualities unfolds as a series of carefully calibrated emotional and textural oppositions. The score creates moments of crystalline simplicity adjacent to intricate, multi-layered passages, generating a soundworld that feels both meticulously constructed and organically alive.

Who it's for

Chamber orchestras seeking repertoire that engages both intellectually and sonically. This work suits ensembles with strong sight-reading skills and a commitment to contemporary practice, including those preparing for festival programming or commissioning-focused seasons.

How to get the most out of it

  • Balance the 14 players so that transitions between soundworlds emerge clearly; resist the urge to equalize volume across the ensemble, as contrast is the work's structural backbone.
  • Map the emotional territories the piece traverses before rehearsal begins. Understanding which sections embody reason versus spontaneity helps musicians commit to the gestural and timbral shifts on the page.
  • Attend to the accumulation of transitions as a compositional strategy, not as a sequence of disconnected ideas. Each shift should feel inevitable rather than arbitrary.

How to use it

Position this as a centerpiece for a contemporary music concert or as part of a thematic program exploring structure and spontaneity across different eras. The 56-page score and 14-player instrumentation make it substantial enough to anchor a chamber orchestra season featuring bold artistic choices.

Skills your students will build

  • Reading and executing rapid transitions between contrasting textures and dynamics
  • Ensemble balance and blend in complex contemporary writing
  • Understanding conceptual frameworks as compositional drivers
  • Listening for and realizing timbral gradations in densely scored passages

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