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Du, Du Liegst Mir im Herzen: SSA Choral Octavo

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Du, Du Liegst Mir im Herzen Cover Image

Du, Du Liegst Mir im Herzen: SSA Choral Octavo

(You, You Are in My Heart)

German Folk Song / arr., with English words, by Keith Christopher

Item: 00-41556

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Description
A lilting love song with great educational merit. Sing entirely in English or take time to teach the German text (both are included in the publication, along with an IPA pronunciation guide). An international delight.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Du, Du Liegst Mir im Herzen: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081466361
SKU: 00-41556

More about this title

About the Arranger: Keith Christopher

Keith Christopher

Keith Christopher has established himself as one of the most prolific creators in choral and instrumental music. Since 1992, he has received annual recognition from the American Society of Composers, Authors, and Publishers, and his catalog includes hundreds of published works across choir, band, and orchestra performed internationally. His achievements include a Gold Record for "A Merry Christmas with Brass" with The Dallas Brass and a Dove Award for the choral collection "More Songs for Praise and Worship."

Beyond composition and arrangement, Christopher has shaped the field through extensive work as a producer, overseeing more than a thousand recordings for music publishers. He has also authored instructional materials and children's literature, including "The First Christmas Night." Based in the Nashville area, his versatility across multiple creative roles reflects a deep commitment to serving musicians at every level.

Why we love this

This arrangement gives you flexibility without sacrificing musicality. The option to perform entirely in English or invest time teaching the German text with the included IPA guide means you can adapt it to your ensemble's interests and experience level. The lilting melody and 12-page octavo format make it concert-ready while remaining engaging enough for festival consideration.

What to expect

The melody unfolds with an unhurried, affectionate quality that feels both familiar and intimate. Whether sung in English or German, the text carries warmth and sincerity, inviting singers to connect emotionally with a timeless expression of affection.

Who it's for

This octavo is ideal for SSA and SSAA choirs seeking accessible repertoire that combines pedagogical value with genuine artistic merit. It works equally well for high school choirs, collegiate women's ensembles, and community groups looking to expand their programming with folk-inspired material.

How to get the most out of it

  • Bring out the gentle lilt of the melody by avoiding overly metered phrasing; let the natural contours of the tune breathe, especially in the opening phrases.
  • If performing with German text, map out the IPA pronunciation guide during sectionals well before dress rehearsal so singers can focus on blend rather than accuracy in final run-throughs.
  • Balance the three SSA lines by having sopranos I and II listen carefully to the alto line, which often carries harmonic foundation; rehearse with altos singing out confidently in the early stages.
  • Consider performing both the English and German versions in concert, back-to-back, to showcase the cultural tradition and demonstrate linguistic versatility to your audience.

How to use it

Program this as a charming contrast piece within a concert of varied styles, or use it to open a segment exploring international folk traditions and cultural music education. At 12 pages, it pairs naturally with longer, more dramatic works on the same program and provides a refreshing moment of simplicity and beauty.

Skills your students will build

  • Singing folk melody with authentic phrasing and natural lilt
  • Reading and performing text in two languages (English and German)
  • Using IPA pronunciation guides for accurate language singing
  • Balancing three-part SSA harmony with clear voice leading
  • Interpreting a single melody across different cultural and linguistic contexts

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