Dry Bones: TTBB Choral Octavo
Traditional Spiritual / arr. Tom Fettke and Thomas Grassi
Item: 00-PO-0005830
Minimum order quantity: 20 copies
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More about this title
About the Arranger: Tom Fettke

Tom Fettke has spent more than five decades creating choral music for worship and education settings. A prolific composer and arranger with hundreds of published works, he shaped American church music through his editorial leadership on two major hymnals: The Hymnal for Worship and Celebration (1986) and The Celebration Hymnal, both widely adopted across congregations nationwide.
His classroom experience as a vocal music teacher in California public schools and his three decades serving as a church musician and director grounded his approach to writing singable, engaging repertoire. Fettke holds degrees from Oakland City College and California State University at Hayward, along with a California Lifetime Music Credential. His arrangements balance accessibility with musical substance, making them equally at home in school concerts and sanctuary worship.
Why we love this
Fettke and Grassi craft a spiritual that moves beyond reverence into genuine swing energy without sacrificing the dignity of the material. The arrangement's built-in momentum and optional rhythm section parts make it equally effective as a concert opener or a festival showstopper, and lower voices get genuinely interesting writing that keeps all four parts engaged throughout.
What to expect
The opening jumps off with swagger and propulsion, driven by syncopated rhythm section writing that pulls listeners in immediately. The arrangement builds steadily toward a satisfying climax, maintaining momentum and joy throughout without ever feeling rushed or lightweight.
Who it's for
TTBB choirs seeking contemporary arrangements of spirituals that honor tradition while delivering genuine musical excitement. This work suits competitive groups and festival-ready ensembles, and it also energizes general choral programs that want to break away from reverent, slow-tempo takes on familiar material.
How to get the most out of it
- Establish the swing feel firmly during early rehearsals. The piano, bass, and drums parts (available separately) anchor the groove, so get those rhythms locked before layering in the vocal lines.
- Keep the finger snaps crisp and synchronized. This detail creates the percussive texture that gives the intro its punch and carries through the arrangement.
- Shape the climax carefully by building dynamics gradually across the final phrases rather than jumping to full volume all at once. Let the arrangement's own architecture do the heavy lifting.
- Emphasize vowel clarity during the faster passages. The jazzy style invites a more relaxed articulation, but sloppy diction will blur the spiritual's text and impact.
How to use it
Open a concert with this piece to establish energy and immediate audience engagement, or use it as a festival selection where the optional instrumentation and rhythm section parts create a competitive edge. The work also serves well in mixed-genre programs where a spiritual with jazz credentials can bridge traditional and contemporary repertoire.
Skills your students will build
- Singing swing rhythms with accurate syncopation and jazz phrasing
- Blend and balance in four-part harmony while maintaining rhythmic precision
- Coordinate with optional rhythm section parts (reading cues, responding to accompaniment)
- Dynamic control and pacing through a multi-sectional arrangement with a clear arc