Drummin' Man: Jazz Ensemble Conductor Score & Parts
By Gene Krupa and Tiny Parham / arr. Rich DeRosa
Grade: 2 (Medium Easy)
Item: 00-PK-0005909
Pickup currently not available
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| Product | Price | Quantity |
|---|---|---|
| Drummin' Man: Score | $8.00 | |
| Drummin' Man: E-flat Alto Saxophone | $3.00 | |
| Drummin' Man: 2nd E-flat Alto Saxophone | $3.00 | |
| Drummin' Man: B-flat Tenor Saxophone | $3.00 | |
| Drummin' Man: 2nd B-flat Tenor Saxophone | $3.00 | |
| Drummin' Man: E-flat Baritone Saxophone | $3.00 | |
| Drummin' Man: 1st B-flat Trumpet | $3.00 | |
| Drummin' Man: 2nd B-flat Trumpet | $3.00 | |
| Drummin' Man: 3rd B-flat Trumpet | $3.00 | |
| Drummin' Man: 4th B-flat Trumpet | $3.00 | |
| Drummin' Man: 1st Trombone | $3.00 | |
| Drummin' Man: 2nd Trombone | $3.00 | |
| Drummin' Man: 3rd Trombone | $3.00 | |
| Drummin' Man: 4th Trombone | $3.00 | |
| Drummin' Man: Guitar Chords | $3.00 | |
| Drummin' Man: Guitar | $3.00 | |
| Drummin' Man: Piano Accompaniment | $3.00 | |
| Drummin' Man: String Bass | $3.00 | |
| Drummin' Man: Drums | $3.00 | |
| Drummin' Man: Flute | $3.00 | |
| Drummin' Man: Tuba | $3.00 | |
| Drummin' Man: 1st F Horn | $3.00 | |
| Drummin' Man: Baritone T.C. | $3.00 | |
| Drummin' Man: 2nd Baritone T.C. | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Drummin' Man: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Gene Krupa
Gene Krupa (1909-1973) transformed the drumset from a timekeeping instrument into a solo voice in jazz. As the drummer for Benny Goodman's orchestra in the 1930s and bandleader of his own ensembles, Krupa brought technical virtuosity, theatrical energy, and swinging rhythmic authority to every performance. His influence on jazz drumming remains foundational to how drummers approach ensemble playing today.
Krupa's compositions and arrangements capture the infectious drive of the swing era while remaining accessible to student musicians. His work bridges the gap between historical authenticity and pedagogical clarity, making him an ideal composer for young ensembles learning to swing with conviction.
Why we love this
Krupa knew exactly how to write for the instrument he mastered, and this chart gives your drummer genuine solo space without sacrificing ensemble balance. Rich DeRosa's arrangement translates Krupa's energy for student musicians while maintaining the swagger that makes this chart fun to play and hear. It's a rare piece that excites both the featured soloist and everyone in the section.
What to expect
Propulsive and gleaming, like stepping into a 1940s jazz club where the drummer is in complete control of the room. The piece bounces with unforced joy, full of the kind of rhythmic momentum that makes audiences lean forward in their seats.
Who it's for
Jazz ensemble directors seeking a high-energy showcase piece that excites drummers while remaining within the reach of Grade 2 players. It works equally well for competitive ensembles and community groups, provided your rhythm section has basic comfort with swing time.
How to get the most out of it
- Balance the ensemble around the drumset feature; this is the drummer's moment, so keep other soloists and accompaniment underneath.
- Lock the rhythm section's time before addressing ensemble phrasing; the groove is the foundation of everything else.
- Study recordings of Krupa-era swing to understand the articulation and rhythmic feel the piece demands.
- Mark breathing points clearly in the parts so ensemble entrances after drumset breaks land together.
How to use it
Program this as a closing number or featured piece on a jazz concert to send audiences out with energy. It also pairs well alongside other ensemble swingers on a mixed jazz program, giving your drummer time to prepare while the ensemble plays other features.
Skills your students will build
- Listening to and locking with a featured soloist
- Playing with swing articulation and feel
- Balancing ensemble sound around a dominant voice
- Reading and executing jazz ensemble notation
- Sustaining groove-based rhythmic accuracy