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Drive: SATB Choral Octavo

By Brandon Boyd / By Alex Katunich / By Chris Kilmore / By Jose Pasillas II / By Michael Einziger / As performed by Incubus / Arranged by Deke Sharon / Arranged by Robert Dietz

Item: 35-DS00132441

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Additional Details
Publisher: Hal Leonard
Page Count: 21
SKU: 35-DS00132441

More about this title

About the Composer: Brandon Boyd

Brandon Boyd is the lead vocalist and primary songwriter of Incubus, the alternative rock band that emerged from Southern California in the 1990s. His distinctive vocal approach and introspective lyricism shaped the band's sound across multiple platinum albums, making him a significant figure in modern rock composition.

Why we love this

The arrangement captures the driving energy and emotional intensity of the original without relying on instrumental support, forcing singers to lock into precise rhythmic unison while maintaining the song's propulsive momentum. A cappella interpretations of contemporary rock material this compelling rarely appear at the octavo level, giving your choir access to a piece that feels genuinely current and challenges ensemble cohesion in rewarding ways.

What to expect

Propulsive and determined. The piece channels the original song's sense of forward momentum and quiet intensity, building through layered voices and rhythmic complexity rather than instrumental color. There's an almost meditative quality beneath the drive, a reflective edge that keeps sentiment grounded.

Who it's for

Choirs seeking contemporary repertoire that demands technical precision and a unified sense of groove. This octavo works equally well for high school show choirs, college a cappella ensembles, and adult recreational choirs looking to expand beyond traditional choral literature.

How to get the most out of it

  • Establish the heartbeat of this piece through rhythmic precision in the rhythm section. Lock your basses and altos into a consistent pulse before adding the melody, then layer the other voices into that foundation.
  • Shape the phrase contours dynamically. Resist the urge to maintain one volume level throughout; let the text breathe and the emotional arc build as the piece develops.
  • Record a rough take early in rehearsal and listen together as an ensemble. Hearing yourselves objectively accelerates awareness of balance issues and rhythmic drift that individual part-singing can mask.
  • Experiment with subtle syllabic choices on repeated sections. The arrangement's modularity invites you to vary vowel placement and consonant clarity to maintain listener interest across repetitions.

How to use it

Pair this with other contemporary a cappella arrangements in a modern music set, or use it as an opener to establish energy and engagement with your audience. It also fits naturally into concert programs celebrating vocal versatility, offering contrast to traditional choral standards while demonstrating your ensemble's range.

Skills your students will build

  • Maintaining rhythmic precision in complex, syncopated passages without instrumental accompaniment
  • Balancing blend while sustaining individual line independence in vertical sonorities
  • Navigating the relationship between lyrical phrasing and rhythmic grid in contemporary music
  • Creating ensemble cohesion through unified vowel placement and consonant articulation

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