Drink to Me Only with Thine Eyes Sheet Music Preview

Drink to Me Only with Thine Eyes: TTBB Choral Octavo

Arr. Robert Shaw and Alice Parker

Item: 00-PO-0004924

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Minimum order quantity: 20 copies

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Additional Details
Series: Alfred Archive Edition: Robert Shaw Choral Series
Publisher: Alfred Music
Page Count: 4
SKU: 00-PO-0004924

More about this title

About the Arranger: Robert Shaw

Robert Shaw (1916-1999) was a conductor, arranger, and educator whose influence on American choral music spanned nearly seven decades. He founded the Robert Shaw Chorale in 1948 and later served as associate conductor of the Atlanta Symphony Orchestra, but his most enduring legacy may be his meticulous arrangements of standard repertoire. Shaw believed that even familiar songs deserved fresh interpretations grounded in historical awareness and vocal craft, and his editions remain essential resources for directors seeking sophisticated yet singable versions of beloved melodies.

Alice Parker, a longtime collaborator with Shaw, is a composer and arranger known for her sensitive treatment of folk songs and sacred music. Her work with Shaw on the Choral Series demonstrates her gift for maintaining the character and charm of a piece while expanding its musical possibilities. Together, they created arrangements that respect the source material while offering directors and singers genuine artistic challenges.

Why we love this

Shaw and Parker strip this beloved melody to its essence and rebuild it with surprising harmonic depth. What makes this arrangement particularly valuable is its economy: in just four pages, it manages to feel both intimate and substantial, offering the kind of musical detail that keeps audiences engaged without overwhelming amateur voices.

What to expect

There is a gentleness to this arrangement that respects the song's origins as a Elizabethan toast, yet the harmonic language feels modern and considered. Singing it creates a sense of intimacy within the ensemble, as though the four voice parts are having a quiet conversation in close harmony.

Who it's for

TTBB choirs preparing for competition or festival performance will find this a rewarding choice that sits well for male voices without requiring unusual range demands. Established men's choirs and university singing groups can use it as a program opener or closer that balances accessibility with musical substance.

How to get the most out of it

  • Balance the melody between the two tenor parts in the opening phrases so the tune reads clearly even when both voice parts share it.
  • Shape the harmonic progressions with subtle dynamic shifts rather than dramatic swells; let the voice leading itself suggest the musical architecture.
  • Practice the baritone and bass lines separately as a unit to ensure the foundation supports the upper voices without drowning them.
  • Attend to the text underlay carefully, as Shaw's arrangements often place words with precision to highlight both meaning and melodic contour.

How to use it

Program this early in a concert to establish warmth and vocal blend before moving into more demanding repertoire. It also serves well as a festival selection where judges will appreciate both the integrity of the arrangement and the clarity of voices it demands.

Skills your students will build

  • Blend and balance in close four-part harmony
  • Shaping musical lines through harmonic progression rather than text-driven dynamics
  • Balancing doubled melodic lines between two voice parts
  • Clear diction in early modern English text

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