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Dreamsville: Jazz Ensemble Conductor Score & Parts

By Ray Evans / By Henry Mancini / By Ray Livingston / Arranged by Mark Taylor

Grade: 4

Item: 35-PK00118621

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Description
What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ensemble "shout" chorus begins with an ingenious unison line played softly to start, before turning things back over to the trombone solo. Nicely done!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00118621

More about this title

About the Composer: Ray Evans

Ray Evans was a legendary lyricist and composer whose partnership with Jay Livingston produced some of Hollywood's most enduring film scores and popular songs. His work spanned decades of American cinema, from light comedies to sophisticated dramas, establishing him as a master of craft who understood how melody and language could serve storytelling. Evans' contributions to music education extend through arrangements and adaptations that make his catalog accessible to student ensembles.

Why we love this

Mark Taylor's reimagining treats a film score standard with genuine respect while introducing fresh energy through samba rhythm and instrumentation. The trombone feature gives your lead player a chance to shine without overshadowing ensemble moments, and that unison shout chorus builds ensemble cohesion in a way that feels musically earned rather than tacked on.

What to expect

Urbane and swinging, with a Latin undertow that keeps the classic melody grounded in contemporary energy. The mood shifts from introspective solo to communal shout, creating narrative arc within a relatively compact arrangement.

Who it's for

Jazz ensembles at the intermediate level who want to program a sophisticated standard without sacrificing accessibility. This works especially well for groups building confidence in samba grooves and ensemble shout sections.

How to get the most out of it

  • Balance the opening trombone solo against the rhythm section with enough separation that listeners hear the voice without losing the groove's pocket.
  • Bring the soft unison shout chorus in with precision and restraint; the contrast with what follows depends entirely on unified articulation and dynamic control.
  • Support the trombone section moments with tight harmonic voicing in the saxes and trumpet so the bones section feature reads clearly against a cohesive background.

How to use it

Pair this with other Latin jazz standards or samba grooves to build a thematic set that demonstrates rhythmic range. It sits comfortably in a concert where you want to show off individual soloists while maintaining ensemble identity.

Skills your students will build

  • Samba rhythm coordination (straight eighths against triplet-based feel)
  • Trombone solo phrasing and dynamics over jazz accompaniment
  • Ensemble articulation and dynamic unity in unison passages
  • Section-specific voicing and blend within saxophone and brass groups
  • Responding musically to textural changes and dynamic gestures

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