Dream a Little Dream of Me (arr. Tom Gentry and Beth Ramsson): SSAA Choral Octavo

Nostalgic yet immediate, like a lullaby being passed between friends around a late-night table. The harmonies glow with warmth; there's an unhurried elegance to the phrasing that feels both intimate and inviting.

Treble choirs looking for accessible, audience-friendly material that doesn't sacrifice musicality. This works equally well for high school groups wanting a charming concert opener and college ensembles seeking a flexible program piece.

• Balance the melody line clearly across the soprano parts so the iconic tune remains recognizable even when the other voices weave around it.
• Lean into the barbershop-influenced harmonies by shaping phrases with slight ritards at cadences; this style rewards a touch of rubato.
• Have your altos lock the harmonic foundation first before layering in the soprano parts; this prevents the arrangement from floating off pitch.
• Record a sectional or two with just the second sopranos and altos to establish the supporting harmony before the full choir tackles it together.

Pair this with other standards or lighter pop arrangements for a set that showcases your choir's versatility and personality. At five pages, it's an ideal piece for concerts where you want to shift the mood from classical or spiritual selections into something refreshingly human-scaled.

• Balancing multiple melodic lines within a four-part texture
• Maintaining intonation across close harmonies characteristic of barbershop voicing
• Shaping phrases with control and expression in a non-classical idiom
• Blending soprano and alto timbres across divisi passages