Dream a Little Dream of Me (arr. Tom Gentry and Beth Ramsson): SATB Choral Octavo

This arrangement captures the sophisticated charm of the standard without demanding a jazz ensemble or soloists to pull it off. The barbershop elements add warmth and texture to what could easily become a saccharine number, giving your singers something genuinely fun to execute.

Nostalgic but never precious, with a gentle swing that keeps the sentimentality grounded. The arrangement wraps you in harmony that feels both familiar and freshly voiced.

Choirs seeking repertoire that bridges popular and choral traditions will find a natural fit here. This works equally well for show choirs, contemporary ensembles, and traditional SATB groups looking to expand beyond standard art song fare.

• Find the swing in the eighth notes without exaggerating them; let the natural lilt emerge from the harmonic movement rather than forcing a shuffle feel.
• Balance the alto and tenor lines carefully in verses where they carry interior movement. These voices often get buried, but they contain the arrangement's most interesting voice leading.
• Lean into the barbershop tuning by sharpening the thirds slightly and focusing on resonance in the unison and block chord sections. This makes the chordal moments land with real warmth.

Place this in a pops concert or cabaret setting where it can sit alongside other jazz standards or American songbook material. It's also a superb opener or closer for a program aimed at community or family audiences who connect instantly with the melody.

• Swing rhythm interpretation and light syncopation
• Barbershop harmonic tuning and blend
• Maintaining phrase shape across sustained harmonies
• Balancing inner voices during four-part counterpoint