Double Trouble & A Window to the Past for Strings (selections from <I>Harry Potter and the Prisoner of Azkaban</I>) Cover Image

Double Trouble & A Window to the Past for Strings (selections from <I>Harry Potter and the Prisoner of Azkaban</I>): Violin (with Piano Acc.) Book & CD

$7.95 USD
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Double Trouble & A Window to the Past for Strings (selections from <I>Harry Potter and the Prisoner of Azkaban</I>) Cover Image

Double Trouble & A Window to the Past for Strings (selections from Harry Potter and the Prisoner of Azkaban): Violin (with Piano Acc.) Book & CD

Music by John Williams

Level: 2-3

Item: 00-IFM0436

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Description
Two great themes from the fantastic Harry Potter film enhanced by eleven pages of gorgeous photos and artwork. This violin book features a piano accompaniment and a carefully crafted removable string part complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD completes the package. Each song on the CD is presented as a "demo" track (which features a live instrumental performance) and as a "play-along" track without the solo instrument. Due to level considerations, the violin book is not compatible with the books in the wind series.

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-3149-9
ISBN13: 978-0-7579-3149-9
UPC: 654979084556
SKU: 00-IFM0436
Instrumentation: Violin (with Piano Acc.)

More about this title

About the Composer: John Williams

John Williams has shaped the sound of cinema for more than five decades, composing scores that define entire franchises. His work on the Harry Potter films demonstrates his mastery of orchestral storytelling, creating themes that capture wonder, mystery, and adventure with equal ease. Williams's film music has become a model for music educators seeking to engage students through culturally resonant, sophisticated repertoire.

Why we love this

These two themes from Prisoner of Azkaban offer Level 2-3 violinists access to genuinely sophisticated orchestral writing without compromising playability. Williams's melodic architecture is clear and singable, but the harmonic language keeps things musically interesting for developing players. The inclusion of both piano and recorded accompaniment tracks means you can use this in lessons, recitals, or ensemble programs depending on your needs.

What to expect

Opening with "Double Trouble," you enter a world of magical mischief and dark intrigue. "A Window to the Past" shifts into something more reflective and bittersweet, inviting players to shape longer phrases with emotional maturity. Together, these themes capture the emotional arc of Prisoner of Azkaban: playful danger giving way to deeper mystery.

Who it's for

This book belongs in the hands of upper elementary and early intermediate violinists who are ready for film music with real substance. Private lesson teachers will find it especially useful for students seeking recital material that feels grown-up without technical overreach.

How to get the most out of it

  • Pay close attention to the articulation and bowing marks in the printed part. Williams writes with clarity about how phrases should feel, and honoring those details will unlock the character of each theme.
  • Balance your tone so the melody sits naturally above the accompaniment without forcing. These themes thrive on legit singing quality rather than volume.
  • Use the demo tracks to hear how the solo line should phrase and breathe within the larger orchestration, then apply that phrasing to the play-along versions.
  • Take time with key signatures and any accidentals, since shifting between themes may involve tonal areas that differ from what students see most often.

How to use it

Program one or both themes in a young artists recital or a concert celebrating film music and popular culture. These selections work beautifully alongside classical repertoire of similar level, offering audiences a familiar touchstone while showcasing your students' musical growth. The included photos and artwork also make this especially engaging for school concerts or open house performances where visual interest enhances the listening experience.

Skills your students will build

  • Reading and executing articulation markings (staccato, legato, accent) with intentionality
  • Shaping melodic lines over sustained harmonic accompaniment
  • Responding to recorded accompaniment with rhythmic precision and musical flexibility
  • Interpreting bowings that serve musical phrasing rather than default technique
  • Maintaining secure intonation while navigating key changes and chromatic passages

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