Dormouse Waltz: String Orchestra Conductor Score & Parts
By Stephen Bulla
Grade: 1-1.5
Item: 35-PK00194213
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Dormouse Waltz - Full Score | $6.00 | |
| Dormouse Waltz - Violin 1 | $7.00 | |
| Dormouse Waltz - Violin 2 | $7.00 | |
| Dormouse Waltz - Violin 3 (Viola Treble Clef) | $7.00 | |
| Dormouse Waltz - Viola | $7.00 | |
| Dormouse Waltz - Cello | $7.00 | |
| Dormouse Waltz - Bass | $7.00 | |
| Dormouse Waltz - Piano | $7.00 | |
| Dormouse Waltz - Percussion | $7.00 |
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About the Composer: Stephen Bulla
Stephen Bulla has built a reputation as a composer who understands the real needs of school ensembles. His writing consistently balances musical substance with technical accessibility, making him a trusted voice in music education across multiple instrumental settings.
Why we love this
Bulla resists the urge to oversimplify at this level. The piece offers genuine musical satisfaction through its lyrical waltz melody and tasteful harmonic support, without asking for technical feats your ensemble isn't ready to handle. It's the kind of piece that sounds polished in performance and leaves students feeling like real musicians.
What to expect
Gentle and unhurried, with the graceful character of a classic waltz rendered in clean string writing. The piece invites your ensemble to play lyrically without requiring sophisticated vibrato or expressive techniques beyond their reach.
Who it's for
This works beautifully for string orchestras that are starting to move beyond unison writing but aren't yet ready for the technical demands of intermediate repertoire. It's equally suited for concert programs, festival performances, or recorder sessions where you want something elegant and properly voiced.
How to get the most out of it
- Shape the waltz melody with gentle phrasing across the bar line rather than cutting each measure short; let the 3/4 pulse flow naturally without exaggeration.
- Balance the inner voices carefully so the accompaniment supports the melody without drowning it out, particularly important in the quieter passages.
- Work the intonation of the harmonic progressions in sectionals before putting it all together; clean voicing makes the 'tasteful' part of this piece audible.
How to use it
Pair this with a contemporary teaching piece and a short classic to create a well-rounded concert set that doesn't overtax your rehearsal time. It also makes an excellent opener for a spring concert when you want to establish elegance without burning through your technical resources on a showpiece.
Skills your students will build
- Phrasing in 3/4 waltz meter
- Harmonic support writing and voice balance
- Lyrical melodic playing with shape and direction
- Ensemble intonation in triadic harmony
- Accompanying skills for secondary parts