Doodle Doo Doo Sheet Music Preview

Doodle Doo Doo: SSA Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00234249

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00234249

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's influence extends across North America and Europe, where his work in choral music education has shaped how thousands of singers approach their craft. Armed with degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington, Shaw built his reputation through teaching positions at the College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City, where he founded and directed celebrated vocal jazz ensembles. His output is staggering: over 2500 choral arrangements and compositions in print, nearly 20 million copies sold worldwide, and numerous ASCAP awards. Beyond the page, Shaw has studied jazz improvisation with legends including Bobby McFerrin, Al Jarreau, and Jon Hendricks, bringing that same infectious energy to his teaching and his music.

What sets Shaw apart in choral music is his refusal to separate substance from joy. His arrangements balance musical rigor with humor, challenging singers while keeping the rehearsal room lively. He currently directs the Jefferson State Choral Coalition at Southern Oregon University and performs with Just 4 Kicks, a four-man a cappella jazz ensemble. Recent projects include a musical adaptation of A Christmas Carol called Scroogical, co-written with his wife Markita.

Why we love this

Shaw's novelty arrangements never talk down to singers or audiences. This piece has the energy and humor that make singers actually want to rehearse it, which matters enormously when you're building ensemble cohesion. The SSA voicing keeps it accessible while the arrangement itself demands precision and musicality, rewarding both your singers and your audience.

What to expect

Breezy, witty, and designed to land a smile from your audience. The oldies feel gives it nostalgic charm, while Shaw's arranging hand keeps things modern and musically interesting throughout.

Who it's for

This works for SSA or SSAA choirs looking for a fun concert piece that doesn't sacrifice musicality. The novelty style appeals to singers who enjoy lighter repertoire while still offering Shaw's characteristically smart harmonic writing.

How to get the most out of it

  • Keep the pulse steady and playful; the novelty comes from execution and precision, not from rushing or dragging. Let the singers feel the groove rather than chase it.
  • Pay attention to the balance between parts. SSA arrangements can muddy quickly if someone's pulling too hard. Create transparency through careful dynamic shaping.
  • Articulation and diction unlock the humor in this piece. Commit to consonants and shape the text as Shaw intended, not as an afterthought.

How to use it

Save this for moments when you want to shift the mood and energy, perhaps pairing it with a ballad beforehand to create contrast. It works beautifully in the second half of a concert when audiences are settling in and can appreciate both the comedy and the craft.

Skills your students will build

  • Balancing transparent SSA voicing without sacrificing blend
  • Executing rhythmic precision in novelty material
  • Shaping diction and articulation for musical comedy
  • Maintaining musical integrity in lighter repertoire

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