Doodle Doo Doo Sheet Music Preview

Doodle Doo Doo: SAB Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00234248

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00234248

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's influence on choral music extends across six continents, where his teaching combines rigorous musicality with infectious humor. Armed with degrees in Music Education and Choral Composition from San Jose State University and a DMA in Choral Conducting from the University of Washington, Shaw has directed acclaimed vocal jazz ensembles at the College of the Siskiyous, Colorado State University, University of Missouri at Kansas City, and currently Southern Oregon University. His collaborative work with legends like Bobby McFerrin, Al Jarreau, and Jon Hendricks has shaped both his artistry and his pedagogical approach.

With over 2500 arrangements and compositions in print, Shaw's output has sold nearly 20 million copies worldwide and earned multiple ASCAP awards. He has produced hundreds of educational recordings and directed original musical theater projects alongside his wife, Markita. Shaw remains an active performer with the a cappella ensemble Just 4 Kicks and a sought-after clinician whose energy and breadth of knowledge inspire musicians at every level.

Why we love this

Shaw brings genuine playfulness to this arrangement without sacrificing musical integrity. A director known for infusing humor into his teaching crafts an oldies novelty that feels fresh for contemporary choirs while maintaining the three-part clarity that makes SAB groups sound full and confident. The piece works as both concert finale and audience delight, giving your ensemble permission to have fun without winking at the material.

What to expect

Playful nostalgia with a wink. The piece bounces along with the energy of classic doo-wop and novelty recordings, inviting singers to embrace the absurdity without making it corny. There's warmth beneath the surface fun, a reminder that music can entertain and delight while still demanding genuine musicianship.

Who it's for

Choirs looking for a program piece that generates genuine laughter from audiences while remaining musically substantive. SAB ensembles with solid basic technique will find this arrangement sits comfortably in the voice and rewards clean entrances and rhythmic precision.

How to get the most out of it

  • Establish a steady, relaxed groove in rehearsal before worrying about the words. The rhythmic pocket matters more than precision on 'doodle doo doo.'
  • Balance the saxophone-like solos (if using accompaniment) with transparent voicing so the humor lands. Don't let the three parts collapse into unison during the catchy sections.
  • Commit to the stylistic context of the arrangement. Shaw wrote this with specific harmonic colors in mind, so track the alto and baritone lines as carefully as the melody.

How to use it

Close a concert with this after more serious repertoire to send the audience out smiling. It pairs well with other vintage or jazz-inflected arrangements in a pops or variety program. Consider programming it as a palate cleanser between contrasting pieces at a competition or festival where choirs need a moment of levity.

Skills your students will build

  • Rhythmic precision in a swung or syncopated style
  • Three-part balance and independence while maintaining cohesion
  • Stylistic phrasing in novelty and oldies genres
  • Ensemble confidence in lighter, more playful material

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