Don't You Worry 'Bout A Thing (arr. Roger Emerson) Sheet Music Preview

Don't You Worry 'Bout A Thing (arr. Roger Emerson): 2-Part Choral Octavo

Arranged by Stevie Wonder / Arranged by Roger Emerson

Item: 35-DS00317761

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00317761

More about this title

About the Arranger: Stevie Wonder

Stevie Wonder stands as one of the most influential songwriters and musicians of the past fifty years. Blind since infancy, he mastered keyboards, harmonica, and drums while developing a compositional voice that seamlessly blends soul, funk, jazz, and pop into emotionally resonant work. His songs have become standards in American music, covered across genres and performance contexts from concert halls to classrooms.

Why we love this

Roger Emerson's arrangement preserves the infectious optimism and rhythmic drive of Wonder's original while making it accessible for developing singers. The 2-part voicing maintains the song's soulful character without requiring advanced vocal technique, and the text itself carries genuine uplift that resonates with young performers.

What to expect

Warm, encouraging, and groovy. The arrangement wraps you in a sonic embrace that feels both timeless and immediately familiar, with enough rhythmic sophistication to keep ensemble singers engaged while the message of calm reassurance makes it memorable far beyond the rehearsal room.

Who it's for

This arrangement fits mixed and treble choirs at middle school through early high school levels. It's especially valuable for programs seeking contemporary material with genuine musical substance and positive emotional content.

How to get the most out of it

  • Find the pocket in the swing feel; this isn't straight rhythms. The laid-back groove depends on how your singers place notes slightly behind the beat.
  • Balance the two parts so they interlock rather than compete. The harmony works best when both lines are equally present.
  • Let the text shine. The message of reassurance deserves clear diction and natural phrasing, not overly stylized singing.
  • Use the harmonic movement to shape phrases; small dynamic lifts at chord changes help singers feel the underlying progression.

How to use it

Place this in a concert celebrating contemporary songwriting or pairing it with other soul and pop standards. It also works beautifully as a closer that leaves audiences in a reflective, uplifted mood. The moderate length and accessible difficulty make it ideal for spring or end-of-year programs when singers are more confident.

Skills your students will build

  • Singing jazz swing rhythms and behind-the-beat phrasing
  • Balancing independent vocal lines in 2-part harmony
  • Text clarity and expression in contemporary pop-soul idiom
  • Listening for and responding to harmonic movement

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