Don't Stop Me Now (arr. Mark Brymer): Choral Instrumental Pak
As performed by Queen / As performed by Freddie Mercury / Arranged by Mark Brymer
Item: 35-PK00411618
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Description
We're havin' a good time! The classic rock harmonies that are a signature of Queen's sound are a natural fit for this driving choral arrangement. The over-the-top lyrics are dynamic sections make this offering a great opener to any Pops concert.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00411618
More about this title
About the Artist: Queen
Queen emerged from 1970s Britain as one of rock's most theatrical and musically ambitious bands. Freddie Mercury's four-octave vocal range and genre-defying compositions transformed the group into stadium legends, blending opera, hard rock, funk, and pop into a signature sound that influenced generations of musicians across multiple styles.
Why we love this
Mark Brymer captures the infectious energy and harmonic sophistication that made Queen iconic, translating it into an arrangement that sits perfectly in a choral setting. The piece demands dynamic control and genuine ensemble commitment, rewarding groups that lean into the rock-solid groove while maintaining the vocal clarity that makes these arrangements special.
What to expect
Pure exuberance wrapped in rock and roll confidence. The piece radiates optimism and swagger, with the kind of unrelenting forward momentum that makes audiences involuntarily move along. Freddie Mercury's over-the-top showmanship translates into an arrangement that demands your ensemble bring their full personality to every phrase.
Who it's for
Groups seeking a high-energy opener that connects with audiences immediately. This works equally well for show choirs, concert choirs branching into contemporary repertoire, or pop ensembles wanting a track record of audience engagement.
How to get the most out of it
- Anchor the rhythm section to a locked backbeat; the arrangement thrives when drums and bass create an unshakeable foundation that the choir sits into rather than chases.
- Treat the dynamic shifts as character changes, not just volume changes. Each section should feel like a new moment in the story.
- Balance the lead vocal line so it cuts through the band without overwhelming it. This piece works when soloists and ensemble voices share the spotlight naturally.
- Nail the pronunciation and inflection of 'havin' a good time' in the opening; the colloquial delivery sets the tone for the entire performance.
How to use it
Open a Pops or contemporary concert with this to set an immediate high-energy tone and signal that you're not afraid to embrace rock and roll as legitimate choral material. The piece also works as a standout midpoint anchor on a mixed program, offering a moment of pure fun between more introspective selections.
Skills your students will build
- Singing over a driving rock groove while maintaining rhythmic precision
- Balancing harmonic blend in a pop/rock idiom
- Executing dynamic contrast in contemporary arranged music
- Interpreting stylized articulation and phrasing in non-classical contexts
- Coordinating vocal and instrumental ensemble textures