Don't Stop Me Now (arr. Alison Crutchley): SATB Choral Octavo

Alison Crutchley's arrangement captures the infectious momentum of this stadium anthem while making it genuinely achievable for SATB singers. The parts sit comfortably and the harmonies illuminate what makes this song so propulsive, letting your ensemble experience the joy of nailing something this recognizable without drowning in unnecessarily complex voicing.

Unstoppable energy wrapped in accessible harmony. The arrangement preserves the swagger and forward momentum of the original while welcoming singers into confident, ringing voices. It feels like victory.

Directors seeking contemporary material that excites both singers and audiences without requiring advanced vocal technique. Works beautifully for pop or crossover concerts, spring pops programs, or any situation where you need a piece that lands with immediate impact.

• Build the dynamic arc gradually from the verse into the chorus; resist the temptation to start too loud and rob yourself of energy where it counts most.
• Lock the rhythmic vitality of the accompaniment early so singers stay buoyant rather than sluggish; this piece lives or dies on precision and swagger.
• Shape the melodic phrases with intention, especially where the arrangement mirrors Mercury's original phrasing. Choral singers often flatten the contour; mark the lifts and falls clearly.

Pair this with other pop arrangements for a dedicated contemporary set, or use it as a show-closing statement piece. The 9 pages move quickly in rehearsal and reward preparation with genuine showstopper moments, making it ideal for spring concerts or special events where you want your ensemble radiating confidence.

• Sustaining rhythmic energy across an extended form
• Singing pop-influenced melodic shapes while maintaining choral balance
• Building dynamic contrast and momentum in ensemble voicing
• Performing with stylistic authenticity in contemporary pop arrangements