Don't Sit Under The Apple Tree (With Anyone Else But Me) Sheet Music Preview

Don't Sit Under The Apple Tree (With Anyone Else But Me): Ukulele

As performed by Charlie Tobias

Item: 35-DS00417907

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00417907

More about this title

About the Artist: Charlie Tobias

Charlie Tobias was a prolific songwriter and lyricist who shaped popular music during the Golden Age of American songwriting. Working primarily in the 1930s and 1940s, he crafted songs that became standards, often collaborating with composers like Lew Brown and demonstrating a gift for memorable, singable melodies paired with witty, accessible lyrics.

Tobias's output influenced generations of musicians and remains a staple of jazz standards repertoire. His songs have been recorded countless times across genres, making his work essential listening for anyone studying American popular song composition and arrangement.

Why we love this

This arrangement brings a swing-era classic into the hands of ukulele players at an accessible level. The two-page format keeps the chart manageable while preserving the charm that made this wartime standard so enduring, giving students a chance to explore repertoire beyond contemporary pop.

What to expect

Nostalgic and sweetly flirtatious, with a gentle swing feel that makes you want to move. The song captures the playful territoriality of a mid-century romance, wrapped in a melody that's impossibly easy to remember and enjoy.

Who it's for

Ukulele students ready to explore standards beyond beginner songbooks, particularly those interested in vocal performance. Solo singers and small ensembles will find this accessible enough for early intermediate players while offering genuine musical substance.

How to get the most out of it

  • Keep the tempo lilting and conversational rather than rushed; this song benefits from rubato in the vocal line while the ukulele maintains gentle forward motion.
  • Pay attention to phrase length and breathing points when singing; the lyrical storytelling works best when you shape each thought distinctly.
  • Balance the accompaniment so the melody shines without the strumming pattern overwhelming the vocal line.

How to use it

Use this for a themed concert exploring American standards or wartime repertoire, either as a solo performance or paired with other Tobias songs. It works equally well in a casual coffeehouse setting or as part of a more formal variety program.

Skills your students will build

  • Singing over a steady accompaniment pattern
  • Interpreting swing rhythm and swing feel
  • Balancing melody and harmonic support on a single instrument
  • Phrasing for lyrical clarity in a standards context

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