Don't Get Around Much Anymore (arr. Mark Brymer)

Mark Brymer's arrangement captures the relaxed swagger of the original without demanding a rhythm section that plays like jazz veterans. Directors appreciate how this version honors the song's sophisticated harmonic language while remaining accessible to mixed ensembles of varying experience levels.

Wistful and smooth, with the kind of laid-back elegance that suggests a late-night conversation between old friends. The arrangement settles comfortably into its groove, inviting singers and listeners alike into a moment of understated sophistication.

Jazz choirs, show choirs, and mixed ensembles looking for accessible swing repertoire with genuine harmonic interest. Singers benefit from the sophisticated but singable melody and the chance to work with mid-century popular song conventions.

• Let the lyric shape your phrasing. Russell's text is conversational, so treat phrases as natural speech patterns rather than rigid musical lines.
• Balance the melody against the supporting voices; this arrangement rewards ensemble blend over soloistic display.
• Lean into the gentle swing feel without pushing the tempo. The song's charm lives in restraint.

This works beautifully as a concert opener or as part of a jazz standards or American songbook set. It also serves as a bridge piece between classical and contemporary programming, offering audiences familiar material while introducing your ensemble's versatility in the jazz idiom.

• Swing interpretation and rhythmic flexibility
• Lyrical diction and conversational phrasing
• Ensemble blend in jazz voicings
• Reading jazz chord changes and harmonic movement