Don't Cha Cover Image

Don't Cha: Concert Band Conductor Score & Parts

$60.00 USD
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Don't Cha Cover Image

Don't Cha: Concert Band Conductor Score & Parts

Recorded by The Pussycat Dolls

Words and music by Thomas "Cee-Lo" Callaway and Anthony "Sir-Mix-A-Lot" Ray / arr. Michael Story

Grade: 2 (Easy)

Item: 00-24746

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Description
Don't Cha, the huge 2005 hit by The Pussycat Dolls, is in a moderately bright pop tempo with a unique groove.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 124
UPC: 038081280004
SKU: 00-24746

More about this title

About the Composer: Thomas "Cee-Lo" Callaway

Thomas Callaway, known professionally as Cee Lo Green, is a Grammy Award-winning singer, songwriter, and producer whose career spans R&B, hip-hop, soul, and pop. His work is characterized by clever wordplay, infectious melodies, and genre-blending arrangements that appeal across age groups and radio formats. As a composer and performer, he has shaped contemporary popular music while maintaining a strong presence in music education through licensed arrangements that bring current hits into school ensembles.

Why we love this

Michael Story's Grade 2 arrangement captures the infectious groove and modern energy of this 2005 hit without oversimplifying the arrangement. Young band students get to play something they actually recognize and enjoy, which drives engagement and motivation in rehearsal. The moderately bright pop tempo and accessible scoring make this an ideal selection for building student confidence while programming contemporary music alongside traditional concert band fare.

What to expect

Bright, modern, and irresistibly groovy. The arrangement delivers the signature bounce and sass of the original while maintaining the kind of straightforward instrumentation that young bands can execute cleanly. You get genuine pop energy without any loss of musicality.

Who it's for

Grade 2 concert bands looking to program a recognizable, energetic pop hit that engages young musicians and audiences alike. This works equally well for beginning high school bands or advanced middle school groups comfortable with contemporary grooves and syncopated rhythms.

How to get the most out of it

  • Lock the rhythm section early and separately. The groove depends on tight coordination between percussion and low brass, so rehearse these players as a unit before integrating with the full band.
  • Emphasize the syncopated rhythms in the upper woodwinds without rushing. These figures define the pop character, but young players tend to anticipate the beat when the style is unfamiliar.
  • Balance the lead melody line so it cuts through the groove without overwhelming ensemble texture. This piece works best when listeners can hear the hook clearly while enjoying the full band sound underneath.

How to use it

Program this as an opener or second item on a concert to establish an upbeat, contemporary tone and capture immediate audience attention. It pairs well with a mix of traditional and pop-influenced repertoire, signaling to students and families that your program reflects current music culture. Consider this selection for pops concerts, awards festivals, or any concert where you want to showcase how band students engage with music they hear on the radio.

Skills your students will build

  • Playing syncopated rhythms with rhythmic precision and groove feel
  • Balancing melody and accompaniment texture in pop/rock arrangements
  • Coordinating with a rhythm section to maintain consistent tempo and groove
  • Interpreting contemporary articulation and style markings

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