Dodgems (Encore Plus, Book 1) Sheet Music Preview

Dodgems (Encore Plus, Book 1): Piano Solo

By Alan Bullard

Grade: 0.5

Item: 35-DS01989436

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$1.99
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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01989436

More about this title

About the Composer: Alan Bullard

Alan Bullard is a British composer whose works for young musicians combine accessibility with genuine musical substance. His pieces prioritize clear compositional ideas and immediate playability, making him a trusted voice in music education publishing.

Why we love this

Bullard nails the sweet spot between ease and engagement. Young pianists get to play actual music on day one, not exercises disguised as pieces, and the character is distinctive enough that students finish their practice session eager to play it again.

What to expect

Buoyant and spirited, like watching bumper cars in action. The piece bubbles along with infectious energy and innocent humor, never overstaying its welcome.

Who it's for

This is an ideal first or second piece for young pianists learning to navigate the keyboard with confidence and joy. It works equally well as a lesson piece, recital opener, or portfolio builder for students starting their musical journey.

How to get the most out of it

  • Treat the dodgem-car imagery literally. Lean into the playful collisions and sudden direction changes by punctuating unexpected shifts in dynamics or texture.
  • Keep the hand position relaxed and mobile. The piece moves around the keyboard, and tension will steal the lightness Bullard built into this writing.
  • Balance clarity with flow. The piece is short, which means every note counts. Resist the urge to rush through it even though you'll finish quickly.

How to use it

Open a student recital with this piece to set a warm, approachable tone. Its brevity and charm make it perfect for mixed-age student showcases where you want to include your youngest pianists without losing the audience's attention.

Skills your students will build

  • Reading note positions across both treble and bass clefs
  • Hand independence at the keyboard
  • Following directional changes in phrasing and musical shape
  • Maintaining rhythmic steadiness in a character piece
  • Executing quick, accurate hand shifts

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