Dock Walkin' (from <i>All's Fair</i>) Cover Image

Dock Walkin' (from <i>All's Fair</i>): Brass Quintet Score & Parts

$15.00 USD
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Dock Walkin' (from <i>All's Fair</i>) Cover Image

Dock Walkin' (from All's Fair): Brass Quintet Score & Parts

By Jeff Smallman / arr. David Marlatt

Level: Easy-Medium

Item: 81-BQ2186

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Description
In the old movies, a character who was down on his luck could be found walking alone the harbourfront reflecting on his circumstances. This mood has been captured in the piece with lush, rich harmonies reminiscent of the big band era.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001477
SKU: 81-BQ2186
Instrumentation: Brass Quintet

More about this title

Why we love this

Smallman and arranger David Marlatt have created a piece that delivers genuine cinematic storytelling without asking for advanced technical chops. The big band harmonies feel sophisticated and full, yet the Easy-Medium level keeps it accessible for high school quintets and community groups. This is the kind of repertoire that reminds musicians why they love playing together.

What to expect

Walking alone under evening light, turning over past disappointments and unresolved questions. The lush harmonies evoke the melodic richness of golden-age Hollywood scoring, with a melancholic undertone that never tips into despair. It's introspective and cinematic, the kind of music that makes listeners lean in and listen.

Who it's for

Brass quintets working at the Easy-Medium level who want repertoire that sounds mature and programmatic without excessive technical demands. This piece suits high school ensembles, community brass groups, and private studio combinations looking for a reflective, character-driven work.

How to get the most out of it

  • Shape each phrase with dynamic swells that suggest reflection rather than urgency. The character walking the harbor isn't rushed.
  • Balance the brass colors across the quintet so no single voice overwhelms the lush harmonic texture. Think ensemble blend before individual projection.
  • Let the rubato breathe naturally in the slower passages. This music lives in space and silence as much as in sound.
  • Use the recorded accompaniment (if available) as a rehearsal reference to lock in the harmonic language, then perform without it so the quintet can control its own pacing.

How to use it

This piece works beautifully in the second half of a concert, where audiences are settled and ready for emotional storytelling. Pair it with other character-driven selections, or use it as a bridge between lighter opening pieces and a more ambitious finale. Its contest-festival designation also makes it a solid choice for ensemble competition.

Skills your students will build

  • Balance and blend in a five-voice homogeneous texture
  • Phrasing that supports narrative and emotional arc
  • Harmonic awareness and intonation in rich chord clusters
  • Stylistic understanding of big band era writing
  • Ensemble independence while maintaining collective expression

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