Do You Want to Build a Snowman? (from Frozen) (arr. Larry Moore): String Orchestra Conductor Score & Parts
As performed by Kristen Bell, Agatha Lee Monn Katie Lopez
Grade: 3-4
Item: 35-PK00430296
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About the Artist: Kristen Bell, Agatha Lee Monn Katie Lopez
Kristen Bell is a accomplished vocalist and actress who brought Anna's voice to Disney's Frozen, becoming the character's singing voice for the beloved film and its sequel. Her performance of 'Do You Want to Build a Snowman?' captures the character's youthful energy and emotional vulnerability, making the song instantly recognizable to audiences worldwide.
Why we love this
Larry Moore's arrangement maintains the song's infectious charm while keeping the writing accessible for Grade 3-4 orchestras. The parts lie well for developing string players, and the familiar melody ensures immediate engagement from both performers and audiences, making this a reliable choice for holiday concerts and family performances.
What to expect
Nostalgic and tender, with moments of genuine warmth beneath a deceptively simple melodic surface. The orchestration captures both the character's youthful optimism and the underlying longing in the song, creating a piece that resonates with young performers and listeners alike.
Who it's for
String orchestras at the intermediate level that want to program recognizable, engaging repertoire for holiday concerts and family audiences. This arrangement also works well for programs that celebrate film music or want to include contemporary material alongside traditional classical selections.
How to get the most out of it
- Establish the steady pulse early; the song's appeal depends on a confident, even tempo that lets the melody breathe naturally without rushing
- Balance the divisi sections carefully so that inner voices support rather than overwhelm the primary melodic line
- Shape the dynamic arc across phrases to mirror the emotional journey of the text, even though students are playing instrumental parts
- Keep articulation clean and consistent across the string section, particularly in passages where rhythmic precision defines the accompaniment pattern
How to use it
Pair this with other film or contemporary arrangements to create a thematic block, or use it as a standout solo piece on a holiday concert where you want maximum audience connection. Its moderate length and familiar material make it ideal for opening a concert or leading into a larger program segment.
Skills your students will build
- Balancing melody and accompaniment roles within the string ensemble
- Maintaining steady pulse across extended melodic phrases
- Managing dynamic shaping to convey emotional content
- Executing clean articulation in rhythmic supporting figures
- Reading and playing divisi sections with clear voice independence