Do You Hear What I Hear Sheet Music Preview

Do You Hear What I Hear: Ukulele

As performed by Gloria Shayne

Item: 35-DS00175442

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00175442

More about this title

About the Artist: Gloria Shayne

Gloria Shayne co-wrote "Do You Hear What I Hear?" with Noel Regney in 1962, and the song became an instant Christmas standard. Originally recorded as a pop single, the piece has since been arranged countless times across genres and ensembles, making it one of the most recognizable holiday melodies in American music education.

Shayne's gift for accessible, memorable melody served music teachers and young musicians well. Her work demonstrates how contemporary songwriting can achieve both commercial success and genuine staying power in educational settings.

Why we love this

This ukulele arrangement captures the song's gentle, meditative quality while remaining genuinely playable for students still building their technical foundation. The two-page layout respects the ukulele's natural range and doesn't oversimplify the melody, which means students hear themselves playing something complete and recognizable.

What to expect

There's a reverent, almost hymn-like quality to this arrangement. The melody sits in a vocal sweet spot that feels natural on the ukulele, and the harmonies support rather than distract from the song's central message of peace and listening.

Who it's for

Ukulele students at the intermediate beginner level who have solid single-note reading and basic chord changes under their fingers. This works equally well in solo practice, small group settings, or as part of a larger holiday concert program.

How to get the most out of it

  • Let the rubato breathe naturally; this song lives in restraint rather than urgency, so resist rushing through the verses.
  • Shape the dynamics across the full arc instead of playing at one volume throughout. The melody earns its quiet moments just as much as its fuller phrases.
  • Pay attention to any fermatas or held notes as moments to really connect with the text and let the harmonic resonance ring.

How to use it

Pair this with other accessible holiday pieces for a winter concert set, or use it as an optional encore that lets student soloists step into the spotlight during rehearsals. The two-page format also makes it excellent for winter assemblies or holiday classroom performances where focused, brief repertoire works best.

Skills your students will build

  • Sustaining melodic line across phrase boundaries
  • Dynamic control and shaping on a single melodic voice
  • Playing with legit expression while maintaining rhythmic integrity
  • Sight-reading contemporary holiday arrangements

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