Do You Hear The People Sing? (from Les Miserables) (arr. Tom Gentry) Sheet Music Preview

Do You Hear The People Sing? (from Les Miserables) (arr. Tom Gentry): SSAA Choral Octavo

By Boublil Schonberg / By Alain Boublil / By Jean-Marc Natel / By Herbert Kretzmer / By Claude-Michel Schonberg / Arranged by Tom Gentry

Item: 35-DS00462134

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00462134

More about this title

About the Composer: Boublil Schonberg

Claude-Michel Schönberg and Alain Boublil created Les Misérables as a French musical concept album in 1980, drawing on Victor Hugo's 1862 novel. Their collaboration brought together soaring melodies and emotionally direct storytelling that would define musical theatre for generations. Schönberg's gift for memorable, singable lines and Boublil's lyrical sensibility made them architects of one of the most performed musicals worldwide.

For music educators, their work represents the best of accessible musical storytelling. These composers understood how to write music that serves the emotional arc of a scene while remaining playable by students at various skill levels. Their influence on contemporary choral music is substantial, and their melodies have become touchstones in both professional and educational settings.

Why we love this

Tom Gentry's SSAA voicing respects the anthem-like power of this number while making it achievable for high school and college choirs without soloists. The arrangement captures the revolutionary fervor and communal spirit of the original, giving every section moments to shine. Choirs will find themselves genuinely moved by performing it, and audiences will recognize it immediately.

What to expect

Stirring and communal. The melody sits comfortably in the voice and invites singers to invest in its message rather than strain for technical effect. There's an inherent nobility in the harmonic language that makes singers feel like they're part of something larger than themselves.

Who it's for

High school and college choirs seeking repertoire with immediate emotional impact and strong audience recognition. Groups looking for secular concert material that builds ensemble cohesion through unison and homophonic singing.

How to get the most out of it

  • Shape the melody with purpose from the opening, treating each phrase as a call to action rather than background material. The text matters here.
  • Balance your soprano line so it leads without drowning out the harmonic support beneath it. This is a song about unity, not competition between parts.
  • Work the dynamics gradually; resist the urge to arrive at full volume too quickly. Let the power build organically through the repetition of key phrases.
  • Listen carefully to the accompanimental parts when rehearsing. Even in an a cappella setting, the harmonic bed should sound grounded and supportive.

How to use it

Include this as a standalone moment in a concert where you want to shift the emotional temperature and engage your audience in recognition. It works equally well as a concert opener that commands attention or as a closer that leaves people thinking. This piece also functions beautifully as a pop culture bridge for school assemblies or civic events where you're reaching listeners beyond the traditional choral audience.

Skills your students will build

  • Sustaining long phrases with consistent breath support
  • Balancing melodic prominence with harmonic function
  • Maintaining rhythmic precision in unison passages
  • Singing with textual clarity and emotional intention in English
  • Building ensemble blend within a four-part texture

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