Do You Hear The People Sing? (from Les Miserables) (arr. Tom Gentry) Sheet Music Preview

Do You Hear The People Sing? (from Les Miserables) (arr. Tom Gentry): SATB Choral Octavo

As performed by Boublil and Schonberg / Arranged by Tom Gentry

Item: 35-DS00451739

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00451739

More about this title

About the Artist: Boublil and Schonberg

Claude-Michel Schönberg and Alain Boublil created Les Misérables in 1980, fundamentally reshaping musical theatre with their through-composed score and unflinching approach to social injustice. Schönberg's sweeping melodies and Boublil's libretto transformed the Victor Hugo novel into a cultural phenomenon, proving that contemporary musical theatre could tackle serious themes without sacrificing emotional impact or accessibility.

Why we love this

Tom Gentry's arrangement captures the anthem's revolutionary fervor while making it genuinely singable for mixed ensembles. The piece lands at a moment when concert programs desperately need accessible, emotionally resonant material that students actually care about performing.

What to expect

The piece radiates collective determination and hope. Harmonically it embraces the musical theatre vernacular Schönberg established, with rich verticals and soaring vocal lines that invite singers to invest emotionally in every phrase.

Who it's for

Mixed choirs seeking repertoire that honors both musicality and message, particularly ensembles comfortable with contemporary musical theatre idioms. High school and college groups will find this arrangement accessible while still offering interpretive depth.

How to get the most out of it

  • Build the dynamic arc gradually from the first verse; resist the urge to let sopranos crank volume too early. The power comes from collective momentum, not individual parts.
  • Lock the rhythmic pulse tight during the march-like sections. A wavering tempo undercuts the sense of unified movement the piece demands.
  • Shape the "At the end of the day" moment with particular care; this is where singers often rush from genuine emotional investment rather than rhythmic anxiety.
  • Balance the upper parts carefully when all four voices move in similar rhythmic patterns. The arrangement works best when no single voice overwhelms the harmonic texture.

How to use it

Consider pairing this with other contemporary social justice themed works to create a thematic concert block, or use it as a finale that leaves the audience energized rather than introspective. The 6-page length makes it manageable for groups building confidence with longer pieces.

Skills your students will build

  • Interpreting dynamic nuance within a popular song idiom
  • Sustaining ensemble cohesion across a three-minute anthem structure
  • Balancing theatrical storytelling with choral refinement
  • Managing the vocal demands of march-like rhythmic passages

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