Do You Hear The People Sing? (from Les Miserables) (arr. Ed Lojeski): 2-Part Choral Octavo

Ed Lojeski's 2-part arrangement strips this anthem to its emotional core without oversimplifying the harmonic language. The voicing sits well for developing choirs while preserving the song's power to move an audience; this is a piece that earns genuine emotional investment from singers and listeners alike.

You're singing a rallying cry that echoes from a barricade. The melody carries both fragility and strength, and Lojeski's arrangement lets silence and restraint do as much work as volume, creating space for the text to land.

Developing choirs ready to tackle material with substance. Two-part voicing makes it accessible for middle school and early high school ensembles, while the orchestration depth and emotional demands reward singers who bring maturity to the work.

• Balance the melody between parts; this arrangement asks both lines to share ownership of the tune in different phrases, so avoid letting one voice dominate throughout.
• Treat the dynamic arc as essential to meaning. The text demands a swell from quiet conviction to bold declaration, so plan your crescendi with intention rather than habit.
• Find the legit singing voice underneath the Broadway style. This works best when rooted in honest vocal tone, not theatrical affectation.

Pair this with other motivational or revolutionary-themed repertoire for a concert exploring social consciousness in music. It also works as a powerful spring concert closer that resonates with audiences beyond the typical choral concert crowd.

• Part independence in unison and divisi textures
• Sustaining legit vocal tone across a wide range
• Responding to dynamic and textual demands simultaneously
• Balancing theatrical expression with choral blend