Do-Re-Mi (arr. Roger Emerson): 2-Part Choral Octavo

Emerson's hand makes this iconic Rodgers and Hammerstein melody feel both fresh and immediately singable for young choirs. The two-part writing gives you real flexibility: pair it with another piece for a concert closer, use it as a morale builder during winter rehearsals, or let it anchor a Broadway-themed program without requiring complex harmonic reading from your singers.

Warm, optimistic, and fundamentally joyful. The ascending melodic shape and pure vowels invite singers to lift their voices without strain, creating that special moment when a room full of students suddenly sounds unified and bright.

Middle school and early high school choirs, particularly groups building confidence in part singing or exploring musical theatre repertoire for the first time. Adult community choirs and recreational ensembles will find this equally rewarding for its singability and instant audience recognition.

• Shape the melody through the familiar "fa-sol-la-ti" section by gently lifting the higher pitches rather than punching them; let the interval jumps breathe naturally.
• Balance the two parts so neither overwhelms the other during the unison passages. This clarity helps younger singers lock in and builds confidence.
• Treat the text conversationally at first, finding where the natural speech rhythm lives, then layer in musicality once the mechanics are secure.

Open a concert with this piece to establish an immediate connection with your audience, or program it in the second half as a tonal palette cleanser between more demanding choral works. It works beautifully in thematic programs exploring Broadway, American song, or the music of Rodgers and Hammerstein.

• Two-part blend and balance
• Navigating melodic intervals while maintaining intonation
• Legit vocal technique for Broadway material
• Interpreting text with warmth and clarity