Do-Re-Mi Sheet Music Preview

Do-Re-Mi: Ukulele

As performed by Rodgers & Hammerstein / As performed by Richard Rodgers / As performed by Oscar Hammerstein II / As performed by Jim Beloff

Item: 35-DS00408081

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00408081

More about this title

About the Artist: Rodgers & Hammerstein

Richard Rodgers and Oscar Hammerstein II revolutionized musical theatre by creating integrated shows where music and story worked as one unit. Their 1959 film version of The Sound of Music became a cultural landmark, and "Do-Re-Mi" stands as one of their most enduring teaching songs, introducing generations of students to music fundamentals through memorable melody and playful storytelling.

Their approach to accessibility without sacrificing craft made their work ideal for music education. Both men understood how to write melodies that stick in the mind while teaching something real, which is why their songs remain classroom staples decades later.

Why we love this

This is one of the few pieces that genuinely delights young players while building their understanding of scale degrees. The melodic simplicity makes it achievable for beginners, yet the song's charm and familiarity give students immediate satisfaction and motivation to refine their playing.

What to expect

Bright, encouraging, and deeply familiar. The piece radiates optimism and possibility, much like the moment in the film when Maria first teaches the children. There's an almost conversational quality to how the melody unfolds, making it feel like a friendly invitation rather than a lesson.

Who it's for

String teachers introducing young learners to ukulele will find this immediately useful. It works equally well for choir or general music classes looking to reinforce scale literacy in a joyful, collaborative setting.

How to get the most out of it

  • Keep the tempo steady but conversational; this is a teaching moment, not a race. The natural phrasing of the lyrics should guide your note groupings.
  • Work the dynamic shape deliberately. Letting each note land clearly at the start of the phrase makes the solfege connection audible and helps younger listeners follow the ascending pitch.
  • Shape each "do-re-mi" group as a complete thought. Avoid rushing between the syllables; give each one room to breathe so the intervallic jumps feel intentional.

How to use it

Pair this with other Rodgers and Hammerstein selections for a Broadway unit that connects music theory to musical storytelling. It's also an excellent choice for lower school assemblies or family concert openers where you want the audience engaged from the first note.

Skills your students will build

  • Reading and identifying scale degrees by ear and notation
  • Playing major scales on the ukulele neck
  • Connecting melody to solfege syllables
  • Maintaining steady tempo with text-based phrasing
  • Right-hand consistency across repeated melodic patterns

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