Do Nothin' Till You Hear from Me Cover Image

Do Nothin' Till You Hear from Me: Choral SoundPax

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Do Nothin' Till You Hear from Me Cover Image

Do Nothin' Till You Hear from Me: Choral SoundPax

By Bob Russell and Duke Ellington / arr. Darmon Meader

Item: 00-25118

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Parts included are: piano, bass, drums

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081266114
SKU: 00-25118
Instrumentation: piano, bass, drums

More about this title

About the Composer: Duke Ellington

Duke Ellington stands as one of the most prolific and influential composers in American music history. His career spanned nearly six decades, during which he composed thousands of works that ranged from short jazz standards to extended concert pieces, fundamentally reshaping what jazz could express and achieve.

Ellington's approach to composition prioritized the individual voices and capabilities of his orchestra members, creating music that was both sophisticated and deeply human. His melodies are memorable and singable, his harmonies inventive yet accessible, and his understanding of orchestration remains unmatched. For music educators, Ellington's catalog offers students direct access to the harmonic language, form, and swing sensibility that define American popular music.

Why we love this

Meader's arrangement captures the sophisticated ease that made Ellington's songwriting legendary. The swing feel sits naturally in the voice parts without demanding operatic training, and the economical instrumentation (piano, bass, drums) makes this accessible for school and community choirs while preserving the tune's elegant harmonic movement.

What to expect

Sophisticated and breezy. The melody unfolds with the conversational ease of a jazz standard, supported by warm piano voicings and a propulsive but relaxed rhythm section. There's genuine swing here, but it's approachable; the overall effect is more intimate lounge than bebop.

Who it's for

This arrangement works for mixed or treble choirs in high school, college, and community settings who want to engage with jazz repertoire without requiring specialized vocal technique. It serves well for groups comfortable with swing style and ready to move beyond traditional show choir into the Great American Songbook.

How to get the most out of it

  • Plant the groove early in rehearsal by having the rhythm section establish the swing feel before the choir enters; this grounds the singers in the correct rhythmic pocket and prevents a stilted interpretation.
  • Balance the vocal lines carefully against the accompaniment; the lyricism of the melody should float above the jazz trio rather than compete with it.
  • Address any syncopated entrances explicitly during sectional rehearsals so singers feel confident in placing their parts within the swing rhythm.

How to use it

Program this alongside other Ellington compositions or within a set devoted to the Great American Songbook. Its moderate length and concert-ready sound make it valuable for pops concerts, jazz or standards-themed events, or mixed repertoire programs seeking a bridge between classical and popular idioms.

Skills your students will build

  • singing jazz phrasing and articulation
  • maintaining rhythmic independence in a swing style
  • tracking independent melodic or harmonic lines against a moving rhythm section
  • interpreting lyrics with jazz sensibility and conversational ease

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