Django Sheet Music Preview

Django: Jazz Ensemble Conductor Score & Parts

By John Lewis / Arranged by Mike Tomaro

Grade: 4

Item: 35-PK00157850

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Description
Feature vibes or piano on this terrific arrangement of the classic jazz standard by John Lewis. The solo section features a double-time swing section, and there is a sax soli as well. Great scoring for the entire ensemble!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00157850

More about this title

About the Composer: John Lewis

John Lewis (1920-2001) was the pianist and musical director of the Modern Jazz Quartet, one of the most influential small ensembles in jazz history. His compositions and arrangements bridged classical sophistication with jazz sensibility, establishing a sound that emphasized balance, clarity, and intellectual rigor. Lewis's ability to write for both intimate chamber settings and larger jazz orchestras made him a model for composers seeking to expand the repertoire beyond traditional big band sounds.

Why we love this

Mike Tomaro's arrangement gives this standard fresh energy without losing the elegance that made Lewis's composition enduring. The double-time swing solo section and sax soli provide natural focal points for soloists while keeping the full ensemble engaged throughout, making it rewarding for both feature players and section musicians.

What to expect

This arrangement radiates the cool, composed elegance characteristic of Lewis's writing. The double-time section sparkles with forward motion, while the sax soli creates intimate moments that contrast beautifully with the ensemble's more structured passages.

Who it's for

Jazz ensembles at the high school and early college level will find this arrangement accessible without sacrificing sophistication. Directors looking for straightforward vehicles for soloist showcasing, paired with solid writing for the full band, will appreciate how cleanly Tomaro has scored this.

How to get the most out of it

  • Balance the vibes or piano feature against the ensemble during the head so the solo voice cuts through without overwhelming the chord movement underneath.
  • Push the double-time swing section slightly forward rhythmically; let the rhythm section establish the pocket before the horns enter the figures.
  • Shape the sax soli section with clear phrase breathing so the different voices blend as a cohesive unit rather than competing lines.
  • Lock the ensemble hits in the closing section; precision on these punctuation marks will sharpen the overall impact.

How to use it

Use this to anchor a jazz standards set, or pair it with other Lewis compositions to explore how one writer's voice shaped modern jazz thinking. It works equally well as an early-season feature that builds ensemble confidence or as a concert closer that leaves audiences with a crisp, satisfying sound.

Skills your students will build

  • Swing eighth-note articulation and phrasing
  • Double-time rhythmic independence and acceleration
  • Balancing solo voice with ensemble texture
  • Blending multiple saxophone lines in soli sections
  • Precise ensemble hits and punctuation
  • Jazz comping and harmonic awareness (for piano/vibes)

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