Dixit Dominus: SSA Choral Octavo
from Dixit Dominus, RV 595
Music by Antonio Vivaldi / ed. and arr. Patrick M. Liebergen
Item: 00-PO-0006314
$2.05
Minimum order quantity: 20 copies
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Description
Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection---the first movement of Vivaldi's masterwork of the same name. Choral phrasing is obvious, as we alternate between brief marcato statements and longer lines that deliver satisfying suspensions. As always, Dr. Liebergen includes an informative editor's note and a complete IPA pronunciation guide for the Latin text (eight words in total). This title is available in MakeMusic Cloud.
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Additional Details
Series:
Alfred Choral Designs
Publisher:
Alfred Music
Page Count:
12
SKU:
00-PO-0006314
More about this title
About the Composer: Antonio Vivaldi
Antonio Vivaldi (1678-1741) was a Venetian priest and virtuoso violinist whose prolific output shaped the Baroque concerto and influenced composers across Europe. His sacred vocal music, including the full Dixit Dominus from which this movement is drawn, demonstrates the same structural clarity and rhythmic vitality that made his instrumental works essential to music history.
Why we love this
Liebergen's edition strips away textural density while preserving the harmonic language and dramatic sweep that make Vivaldi's writing unmistakable. The alternation between marcato statements and suspensive phrases gives singers real interpretive work without demanding operatic facility, making this a confident choice for choirs building toward larger Baroque repertoire.
What to expect
Bright and declarative, with an almost fanfare-like energy in the opening statements before settling into the lyricism of the longer phrases. The keyboard accompaniment anchors the harmonic movement while allowing the voices to emerge with clarity and purpose.
Who it's for
SSA choirs with secure intonation and basic musicianship; the text is brief (eight Latin words) and harmonic movement is transparent, making this accessible to intermediate ensembles. Directors seeking repertoire that introduces singers to Baroque sacred style without requiring advanced vocal technique will find this particularly useful.
How to get the most out of it
- Shape the keyboard introduction with slight rubato to establish forward momentum before the choir enters; this sets expectation for the phrasing that follows.
- Distinguish articulation clearly between the marcato sections and the longer lines; the contrast between these characters is what gives the movement its dramatic architecture.
- Attend to the suspensions with care. Slight agogic emphasis on the suspended note, followed by a gentle resolution, will highlight Vivaldi's harmonic language without overdoing phrasing.
How to use it
This pairs well in a sacred or Baroque-themed concert, either as a standalone statement or alongside other SSA arrangements of masterworks. The 12-page score and recorded accompaniment availability make it practical for festivals and competitions where singers benefit from secure instrumental support.
Skills your students will build
- Baroque articulation and phrasing conventions
- Latin text pronunciation and diction in sacred music
- Voice leading across suspensions and harmonic resolutions
- Maintaining intonation in sustained chords under keyboard accompaniment