Divertimento No. 1 Cover Image

Divertimento No. 1: Clarinet Quintet Score & Parts

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Divertimento No. 1 Cover Image

Divertimento No. 1: Clarinet Quintet Score & Parts

Allegro con Spirito

By Franz Joseph Haydn / arr. David Marlatt

Level: Medium

Item: 81-CC223139

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Description
The "Allegro con Spirito" movement of the Divertimento No. 1 is from the Six Feldpartiten (open air suites), composed by Haydn in the early 1780's. Originally scored for two oboes, two French horns, three bassoons, and a B-flat serpent, this piece has been arranged beautifully by David Marlatt for 4 clarinets and a bass clarinet. (3:00)

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Additional Details
Publisher: Eighth Note Publications
ISBN10: 1-77157-935-8
ISBN13: 978-1-77157-935-3
UPC: 685462029365
SKU: 81-CC223139
Instrumentation: 4 Clarinets, Bass Clarinet

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) shaped the classical symphony, string quartet, and divertimento into forms that defined an era. His prolific output across every major genre established conventions that composers from Mozart to Beethoven would build upon, yet his music never sacrificed wit, invention, or structural clarity for the sake of tradition.

Haydn's Feldpartien (open air suites) represent a fascinating corner of his catalog: functional music written for outdoor performance by wind ensembles, yet crafted with the same harmonic sophistication and thematic development that characterize his symphonies. These works reveal how a master composer approached music meant for gardens, celebrations, and social gatherings rather than concert halls.

Why we love this

This arrangement transforms a charming 18th-century wind suite into a genuine chamber work that sits perfectly for advanced high school or community ensembles. Marlatt's scoring for clarinet quintet honors the original's light character while showcasing how well the clarinet family sings when given material this melodic, and the three-minute length makes it an ideal concert opener or elegant filler.

What to expect

Sunlit and conversational, this movement captures the spirit of 18th-century outdoor entertainment without sacrificing musical substance. Haydn's melodies dance between instruments with graceful momentum, creating a sense of ease and natural flow that feels both effortless and carefully shaped.

Who it's for

Advanced high school clarinet ensembles and community bands with strong clarinet sections will find this approachable yet satisfying. The work demands solid intonation and ensemble awareness but doesn't require virtuosic technique, making it valuable for groups solidifying their cohesion and musicality.

How to get the most out of it

  • Bring out the principal clarinet's conversational phrases; Haydn writes in dialogue throughout this movement, and clarity of line matters more than blend at this stage.
  • Balance the bass clarinet as a true voice, not merely harmonic support. It carries important inner voices that anchor the harmonic foundation.
  • Maintain forward motion without rushing. 'Allegro con Spirito' means spirited, but the classical ideal favors singing phrasing over percussive energy.
  • Shape phrases toward their peak rather than starting diminuendos early. Haydn's melodies are designed to build and resolve within each phrase arc.

How to use it

Program this as a concert opener to establish charm and instrumental color before heavier works, or pair it with a contrasting romantic-era piece to demonstrate how clarinet writing evolved. Its modest duration and classical elegance also suit it well as an intermission prelude or a finale for a program focused on lighter repertoire.

Skills your students will build

  • Balancing homogeneous clarinet sonorities while maintaining individual voice independence
  • Shaping classical phrases with period-appropriate phrasing and articulation
  • Responding to dialogue-based writing where instruments exchange melodic fragments
  • Listening for and correcting intonation in the chalumeau and clarion registers across five players
  • Understanding the relationship between original instrumentation and modern arrangement choices

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