Dindi (arr. Rick Stitzel): Jazz Ensemble Conductor Score & Parts

Stitzel's arrangement respects the song's elegant melody while building layers of color around it. The instrumentation choices (bucket mutes, vibes, guitar) create an intimate soundscape that lets a vocalist shine without overwhelming them, and the orchestration itself teaches ensemble players how to support rather than compete.

Warm and unhurried. The arrangement invites listeners into an intimate space rather than commanding attention, with soft brass glow and gentle Latin undertones creating an atmosphere of sophistication and ease.

Jazz ensembles with a capable vocalist who needs a vehicle to develop tone and phrasing. This works equally well for groups at the 3/4 level looking to expand their ballad repertoire or as a feature for a strong soloist within a larger concert.

• Balance the vocal line by keeping the brass pads underneath rather than alongside it; these aren't competing melodies but emotional support.
• Work the vibes and guitar into tight rhythmic conversation during the accompaniment sections; their interplay drives the groove without rushing.
• Shape the bucket muted trumpet lines with careful dynamic control; they're texture, not statement, so resist the impulse to lead.
• Spend rehearsal time on the vocalist's phrasing before locking the band into metronomic time; let them breathe, and the ensemble will follow.

Pair this with uptempo jazz standards to anchor the second half of a concert, giving both audience and ensemble a moment to settle into something contemplative. It also works beautifully as a closer, leaving the room with a sense of elegance and restraint.

• Vocal jazz phrasing and communication between soloist and ensemble
• Mute technique (bucket mute application and control)
• Accompanying rather than leading (supporting harmonic texture)
• Latin jazz feel and groove orientation
• Dynamic control and balance in smaller ensemble settings