Die Walkuere: Act III, Sc. 1: Ride of the Valkyries (Ritt der Walkuren) Cover Image

Die Walkuere: Act III, Sc. 1: Ride of the Valkyries (Ritt der Walkuren): Conductor Score

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Die Walkuere: Act III, Sc. 1: Ride of the Valkyries (Ritt der Walkuren) Cover Image

Die Walkuere: Act III, Sc. 1: Ride of the Valkyries (Ritt der Walkuren): Conductor Score

By Richard Wagner

Item: 36-A225001

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Description
The Ride of the Valkyries refers to the beginning of act 3 of Die Walküre, the second of the four operas constituting Richard Wagner's (1813-1883) Der Ring des Nibelungen. As a separate piece, the "Ride" is often heard in a purely instrumental version, such as in this original orchestration from the opera. Together with the Bridal Chorus from Lohengrin, the Ride of the Valkyries is one of Wagner's best-known pieces. The main theme of the Ride, the leitmotif labelled Walkürenritt, was first written down by the composer on 23 July 1851. The preliminary draft for the "Ride" was composed in 1854 as part of the composition of the entire opera, which was fully orchestrated by the end of March 1856. Instrumentation: 2+Picc(2).3+EH.3+BCl.3: 8.3.4.1: Timp(2).Perc(3): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852763-X
ISBN13: 979-8-88-852763-4
UPC: 660355070907
SKU: 36-A225001
Instrumentation: 2+Picc(2).3+EH.3+BCl.3: 8.3.4.1: Timp(2).Perc(3): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Richard Wagner

Richard Wagner (1813-1883) was a German composer and theorist whose dramatic innovations transformed opera and orchestral music. His development of the leitmotif—a musical theme representing a character, object, or idea—fundamentally changed how composers approached large-scale narrative works. The Ring Cycle, his monumental four-opera sequence, stands as one of the most ambitious artistic undertakings in Western music.

Wagner's orchestral writing revolutionized what symphonic ensembles could express. His expansion of the orchestra's size and technical demands, combined with his sophisticated harmonic language, influenced composers across multiple generations. The Ride of the Valkyries exemplifies his ability to create visceral, memorable music that captures dramatic action through pure instrumental color and propulsive rhythm.

Why we love this

Conductors return to this piece because it demands and rewards orchestral discipline in ways few other works do. The relentless energy, crystalline orchestration, and immediate audience recognition make it a cornerstone programming choice for demonstrating ensemble precision and sectional balance. It also provides a rare opportunity to showcase your orchestra's brass and percussion sections at full power.

What to expect

Sheer kinetic energy. The Valkyries' horses gallop across stormy skies in a relentless forward rush of sound; the orchestration swells with brass fanfares, rippling strings, and thundering timpani. There's a swagger and swagger to it, a sense of mythic power harnessed into pure momentum. The listener feels the weight of an entire operatic world compressed into instrumental form.

Who it's for

Orchestras with experienced brass and percussion sections who can handle the technical and stamina demands of Wagner's orchestration. This score suits conductors with access to a full chamber orchestra or the flexibility to scale it for the ensemble at hand. It's ideal for concerts where you need a work that's recognizable, musically substantial, and visually exciting.

How to get the most out of it

  • Establish the pulse in rehearsal with the percussion and lower brass; they carry the rhythmic foundation that allows the upper strings to layer their countermelodies cleanly.
  • Balance the woodwind doublings carefully. The English horn and bass clarinet lines are easy to overshadow; isolate these parts in sectional rehearsals so they cut through the texture.
  • Mark the tempo judiciously. The piece's propulsive character comes from forward momentum, not frantic speed. A conductor who lets the orchestration breathe will achieve more impact than one who rushes.
  • Shape the dynamic arch section by section rather than making it a relentless fortissimo. The ride gains power through contrast and strategic climaxes.

How to use it

This works brilliantly as a concert opener or second piece when you need to energize an audience immediately. It also pairs well with other Romantic-era orchestral showpieces or serves as the dramatic centerpiece of a program exploring Wagner's influence on later composers. Consider programming it where you can follow with something quieter, so the contrast sharpens both pieces.

Skills your students will build

  • Balancing multiple simultaneous melodic lines across different instrumental choirs
  • Ensemble precision in rapidly articulated rhythmic passages
  • Stamina and endurance for extended playing at high dynamic levels
  • Sectional independence (strings maintaining countermelodies while brass and woodwinds carry the main theme)
  • Responding to subtle conductor gestures for dynamic shaping and tempo nuance

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