Die Schlittschuhläufer (Les Patineurs) op. 183 Cover Image

Die Schlittschuhläufer (Les Patineurs) op. 183: Piano Solo

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Die Schlittschuhläufer (Les Patineurs) op. 183 Cover Image

Die Schlittschuhläufer (Les Patineurs) op. 183: Piano Solo

By Emile Waldteufel

Item: 98-EP5100

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Description
The Skaters' Waltz (Op. 183), is a waltz by Émile Waldteufel. It was composed in 1882, inspired by the cercle des patineurs at the Bois de Boulogne in Paris. The introduction to the waltz can be likened to the poise of a skater, and the rapid runs invoke scenes of a wintry atmosphere.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-014-03588-X
ISBN13: 979-0-014035-88-4
SKU: 98-EP5100

More about this title

About the Composer: Emile Waldteufel

Émile Waldteufel (1837–1915) was a French composer and conductor whose gift for melody and orchestration made him one of the most performed waltz composers of the late 19th century. Born in Strasbourg, he studied at the Paris Conservatoire and went on to compose over 250 works, many of which became staples of salon music and concert halls across Europe. His waltzes combine the Viennese tradition with French elegance, marked by clear harmonic structures and memorable themes that reward both performer and listener.

Waldteufel's career flourished during an era when the waltz dominated popular concert programming. He served as conductor of the court balls in Paris and composed extensively for the ballroom, yet his works transcended their original function to become enduring concert pieces. The Skaters' Waltz remains his most celebrated composition, celebrated for its vivid imagery and technical brilliance.

Why we love this

Waldteufel crafted this waltz with genuine musical architecture; the introduction unfolds with genuine grace rather than rushing into the main theme, and the rapid figuration that follows feels earned rather than ornamental. Students encounter a composer who understood that waltz rhythm could be both elegant and propulsive, making this a genuinely musical study in phrasing and tempo control rather than mere display.

What to expect

The piece opens with elegant restraint, almost as if catching your breath on newly frozen ice. Once the main waltz arrives, it glides forward with buoyant energy and shimmering figuration, evoking winter light and the pleasure of movement across a smooth surface. The writing feels generous and inviting, never pedantic, with clear periods and a narrative arc that carries you through 12 pages without fatigue.

Who it's for

This edition suits intermediate to late-intermediate pianists who can handle moderate technical demands and longer forms with confidence. Players working toward recital repertoire or seeking engaging 19th-century concert pieces will find genuine musical substance here, not mere technical exercises.

How to get the most out of it

  • Shape the introductory measures with deliberate restraint. The poise Waldteufel captures at the start sets the character for everything that follows; resist the urge to hurry into the main waltz sections.
  • Anchor the rapid runs with a clear, steady pulse in the left hand. The flowing figuration only sounds effortless when the harmonic foundation remains unwavering beneath it.
  • Differentiate the waltz sections through subtle tempo and dynamic choices. Waldteufel repeats melodic material, so minor adjustments in emphasis prevent the piece from feeling static across its 12 pages.
  • Balance ornamentation with structural clarity. Embellishments should enhance the melody's contour, not obscure the underlying waltz rhythm that gives the piece its character.

How to use it

This waltz serves beautifully as a transition between heavier Romantic-era works and lighter encore pieces, or as a complete program centerpiece for a recital showcasing 19th-century salon traditions. Its vivid imagery and accessible charm make it equally at home in a thematic concert built around program music or dance forms.

Skills your students will build

  • Sustaining waltz rhythm with rhythmic clarity across repeated sections
  • Executing rapid scalar and figural passages with evenness and control
  • Shaping long-lined melodies within dance meter
  • Balancing left-hand accompaniment patterns with right-hand melodic interest
  • Managing extended forms and structural repetition with musical intent

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