Die Fledermaus Overture for Woodwind Quintet Cover Image

Die Fledermaus Overture for Woodwind Quintet: Conductor Score & Parts

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Die Fledermaus Overture for Woodwind Quintet Cover Image

Die Fledermaus Overture for Woodwind Quintet: Conductor Score & Parts

By Johann Strauss II/ arr. Tom A. Kennedy

Item: 36-M245491

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Description
This flashy work will be a challenge, but it will also be an exhilarating accomplishment! Transcribed and arranged for woodwind quintet by Tom Kennedy.

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Additional Details
Series: Master Woodwind Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887454-9
ISBN13: 978-1-63-887454-6
UPC: 660355018411
SKU: 36-M245491
Instrumentation: Flute, Oboe, Clarinet, Horn and Bassoon

More about this title

About the Composer: Johann Strauss II

Johann Strauss II (1825, 1899) defined the waltz for the concert hall and opera house. His command of melody, orchestration, and theatrical timing made him the most performed composer of his era, and his works remain central to the orchestral repertoire. Strauss understood how to write music that sparkles without sacrificing substance; every overture, waltz, and operetta contains the kind of musical intelligence that rewards repeated study.

Why we love this

Tom Kennedy's transcription captures all the wit and momentum of the original without losing the brilliance that makes this overture irresistible. Your quintet will feel the theatrical energy of a full orchestra distilled into five voices, and audiences consistently light up at this piece's combination of charm and virtuosity.

What to expect

Effervescent and propulsive, with the sophistication of a Viennese ballroom compressed into chamber-music scale. The overture bounds from one musical idea to the next with theatrical flair, never settling long enough to lose momentum. It's the sound of elegance in motion.

Who it's for

Advanced high school and early college woodwind quintets seeking repertoire that combines technical demands with immediate musical payoff. Directors looking for a show-stopping closer or gala concert feature will find this arrangement delivers both polish and genuine fun.

How to get the most out of it

  • Balance the ornamental passages between flute and oboe so individual lines stay audible; Strauss packed tremendous detail into this score, and clarity reveals the craft underneath the effervescence.
  • Lock the rhythmic profile of the clarinet and bassoon in the faster sections; they anchor the harmonic movement while the upper voices gesture and flourish.
  • Shape the main waltz theme with a gentle lift on beat two, which Strauss relied on to give the melody its characteristic sway without becoming sluggish.
  • Mark the cadenza moments and high-register passages in rehearsal so the group agrees on ensemble breathing and articulation; these transitions happen quickly.

How to use it

Perfect as a finale for a concert where you want to send the audience out smiling, or position it between heavier contemporary works to provide tonal and textural relief. The piece also works beautifully on a mixed chamber concert, especially one highlighting arrangements of orchestral classics.

Skills your students will build

  • Executing rapid scalar passages and ornamental figures with rhythmic precision
  • Balancing independent melodic lines within a single harmonic texture
  • Managing quick, clean articulation across register shifts
  • Sustaining musical shape through fast harmonic changes
  • Coordinating ensemble articulation and phrasing in virtuosic passages

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