Diana Krall: Wallflower Cover Image

Diana Krall: Wallflower: Piano/Vocal/Guitar Book

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Diana Krall: Wallflower Cover Image

Diana Krall: Wallflower: Piano/Vocal/Guitar Book

Diana Krall

Item: 00-44399

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Description
On Wallflower, jazz singer Diana Krall lends her trademark contralto to songs first made famous by artists such as The Mamas & the Papas, the Carpenters, the Eagles, Jim Croce, Elton John, Randy Newman, and a freshly penned tune by Paul McCartney. This book provides piano/vocal/guitar arrangements of all the songs on the record. Titles: California Dreamin' * Desperado * Superstar * Alone Again (Naturally) * Wallflower * If I Take You Home Tonight * I Can't Tell You Why * Sorry Seems to Be the Hardest Word * Operator (That's Not the Way It Feels) * I'm Not in Love * Feels Like Home * Don't Dream It's Over.

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Additional Details
Publisher: Alfred Music
Page Count: 100
ISBN10: 1-4706-2379-X
ISBN13: 978-1-4706-2379-1
UPC: 038081501802
SKU: 00-44399

More about this title

About the Artist: Diana Krall

Diana Krall is a Canadian jazz pianist and vocalist born in 1973 in Nanaimo, British Columbia. Trained in classical piano from childhood, she studied jazz in Los Angeles and spent formative years performing in the jazz clubs of Paris and London before establishing herself as one of the best-selling jazz artists of her generation. Her interpretations blend sophisticated piano playing with a rich, understated contralto voice that draws listeners into intimate sonic spaces.

Krall's approach to the Great American Songbook and classic pop repertoire emphasizes restraint and emotional authenticity over vocal display. Her arrangements prioritize the interplay between voice and piano, making her records and live performances essential listening for musicians interested in jazz-inflected pop interpretation and the art of accompanying one's own singing.

Why we love this

Krall's Wallflower selections span beloved standards and contemporary songs with melodic clarity and harmonic sophistication that work beautifully across multiple instruments. The arrangements honor the originals while creating space for personal interpretation, making this book ideal for pianists, guitarists, and singers developing their own voices in jazz-informed pop contexts. The mix of familiar titles ensures engagement while the vocal writing demands genuine musicianship rather than technical showboating.

What to expect

These arrangements inhabit a sophisticated, late-night listening space where intimacy matters more than virtuosity. Each song unfolds with the unhurried confidence of a musician who knows the material deeply and trusts the listener to lean in and pay attention. The music feels both timeless and immediate, drawing warmth from familiar melodies while revealing subtle harmonic and rhythmic details that reward close study.

Who it's for

This book serves pianists, guitarists, and vocalists working in jazz, pop, and contemporary musical theater contexts who want to expand their interpretive toolkit with material that bridges classic songwriting and modern vocal sensibility. It's particularly valuable for mature students and professionals developing cabaret, jazz combo, or acoustic ensemble repertoire.

How to get the most out of it

  • Examine Krall's original recordings to understand her approach to rubato and space; her phrasing often leaves breathing room that sheet music alone won't capture, especially in quieter sections.
  • Pay attention to the interplay between melody and harmony in the piano voicings; they're written to support the vocal line, not compete with it, so resist the urge to overstuff the chords.
  • For guitar players, listen carefully to the original album arrangements to determine when to comp and when to lock into rhythmic precision; several tracks benefit from restraint over constant strumming.
  • Work the dynamics gradually and intentionally across full verses and choruses rather than making sudden jumps; Krall's interpretive style depends on subtle shifts in volume and intensity.

How to use it

Program selections from Wallflower in jazz recitals, pop-influenced concert programs, or cabaret-style performances where emotional directness and melodic clarity are priorities. These arrangements also work well in accompanying voice studio contexts, particularly for singers exploring jazz interpretation or seeking material with genuine compositional sophistication. Individual songs fit naturally into mixed repertoire evenings that blend classic pop with contemporary jazz sensibility.

Skills your students will build

  • Jazz voicing and comping techniques in piano and guitar
  • Vocal phrasing in jazz-inflected pop contexts
  • Accompanying one's own singing with balanced ensemble texture
  • Interpreting space, silence, and rubato for emotional effect
  • Harmonic analysis of jazz-pop arrangements
  • Transposition and adaptation for different vocal ranges and instrumental keys

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