Diademeta Fantasy (based on "Crown Him with Many Crowns") Cover Image

Diademeta Fantasy (based on "Crown Him with Many Crowns"): Concert Band Conductor Score

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Diademeta Fantasy (based on "Crown Him with Many Crowns") Cover Image

Diademeta Fantasy (based on "Crown Him with Many Crowns"): Concert Band Conductor Score

By Sir George Elvey / arr. James D. Ployhar

Grade: 3 (Medium Easy)

Item: 00-BDM02021C

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Description
Through an array of variations, this is a grandiose exploration of the time-honored tune "Crown Him With Many Crowns." A most memorable work! (3:32)

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Additional Details
Series: Belwin Concert Band
Publisher: Alfred Music
UPC: 654979033943
SKU: 00-BDM02021C

More about this title

About the Composer: George Elvey

George Elvey (1816-1893) was an English organist and composer whose sacred music shaped nineteenth-century Protestant worship. His hymn tunes, including the melody for "Crown Him with Many Crowns," remain cornerstones of modern hymnals and continue to inspire arrangements across instrumental ensembles. Elvey's gift for memorable melodic writing made his work accessible to congregations while maintaining musical substance—a balance that translates remarkably well to concert band literature.

Why we love this

Ployhar's treatment transforms a beloved hymn into a vehicle for genuine compositional exploration rather than a simple statement. The fantasy format gives your band room to showcase both ensemble cohesion and dynamic range across a continuous arc, making it substantial enough for serious programming without requiring advanced technical demands. It's the kind of piece that resonates with audiences familiar with the tune while revealing fresh musical ideas to attentive listeners.

What to expect

Grandiose yet accessible—the piece moves between moments of reverence and triumphant declaration, with each variation shifting the emotional light on the familiar melody. There's an arc of discovery here, as if the band is turning the hymn over in different hands and light, never settling long enough to become predictable.

Who it's for

Concert bands working at Grade 3 who want substantial programming that honors both sacred tradition and creative arranging. Directors seeking a piece that builds audience goodwill through a recognizable tune while giving students experience with multiple formal and harmonic contexts within a single work.

How to get the most out of it

  • Balance the harmonic shifts across sections as Ployhar modulates through the variations; the middle voices often carry crucial harmonic color that gets lost if the brass dominates
  • Shape each variation as its own character rather than playing them as isolated statements; this piece gains momentum when the listener senses purposeful direction from variation to variation
  • Give the wind machine (if scored in your edition) genuine presence in moments of transition—it anchors the fantasy's dreamlike quality and prevents the piece from feeling segmented
  • Bring out the final statement with full ensemble commitment; this is the payoff to the exploration and deserves celebratory articulation

How to use it

Program this on a sacred or holiday concert where it serves as a centerpiece number, or use it as a bridge between classical and contemporary repertoire thanks to its nineteenth-century harmonic language and modern concert band orchestration. The moderate length and straightforward Grade 3 accessibility also make it viable for educational concert programming when you want to showcase more than just fundamentals.

Skills your students will build

  • Sustaining ensemble balance across shifting harmonic weights
  • Interpreting variations in character and tempo without losing rhythmic cohesion
  • Responding to conductor-driven shaping across extended musical forms
  • Maintaining intonation through modulations and secondary harmonic regions

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