Developing Virtuosity bk. 2 - Viola Cover Image

Developing Virtuosity bk. 2 - Viola: Viola & Piano Score & Part

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Developing Virtuosity bk. 2 - Viola Cover Image

Developing Virtuosity bk. 2 - Viola: Viola & Piano Score & Part

By Lynne Latham / arr. Gayley Hautzenroeder, Thom Sharp

Grade: 2.5

Item: 36-52720600

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Description
This volume continues the development of playing skills found in Book 1 and progresses to more complex rhythms, left-hand finger patterns and techniques, bowing techniques, and preparation for shifting. Book 2 introduces students to: long and controlled bow strokes, slurred legato and staccato bow strokes, string-crossing slurs, and producing dynamic contrasts; new rhythmic patterns including dotted notes, triplets, sixteenth notes, swinging eighth notes, and syncopated rhythms; new time signatures including 6/8 and 3/8, along with cut time for cello/bass; and major and minor left-hand string patterns, extended fingerings, and beginning octave harmonics and shifting. Online audio available.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-42-912626-4
ISBN13: 978-1-42-912626-7
UPC: 679360613795
SKU: 36-52720600
Instrumentation: Viola & Piano

More about this title

About the Composer: Lynne Latham

Lynne Latham has built a distinguished career creating pedagogical materials that meet young string players exactly where they are. Her Developing Virtuosity series reflects decades of understanding how students progress through technical challenges, from foundational bow control to the demands of genuine musicianship.

Why we love this

Latham's pedagogy respects where students actually are developmentally. Book 2 introduces genuine musical challenges—string crossing, dynamic nuance, shifting—without overwhelming the player. The progression feels inevitable, not arbitrary, which means students build confidence alongside technique.

What to expect

The repertoire balances technical drilling with genuine musicality. Students encounter bow techniques that shape phrasing, harmonic language that grounds left-hand development, and rhythmic variety that keeps the ear engaged. Learning feels purposeful because every technical demand serves a musical idea.

Who it's for

Viola students in their second year of study who have completed Book 1 or equivalent foundational work. This volume suits intermediate early learners and adult beginners looking for systematic skill development with real musical context.

How to get the most out of it

  • Isolate string-crossing slurs by practicing each pair of strings separately before combining them in sequence. This trains the bow arm's lateral motion without competing with left-hand demands.
  • When introducing dotted rhythms and sixteenth notes, use a practice routine that alternates between strict rhythmic subdivision and the written pattern. This solidifies the feel before performance.
  • Begin shifting exercises with open-string arrivals. Playing from a lower position to open D (for example) removes pitch anxiety and lets the student focus on hand position and the shift itself.
  • Work dynamic contrasts in short isolated phrases first. Asking a student to sustain a diminuendo across an entire slurred passage invites intonation problems; build the skill in manageable units.

How to use it

Use this book as your primary viola method for the second year of instruction. The included score and part make it suitable for studio teaching, sectional rehearsals with pianists, or group lessons where students can play through pieces together. The progression supports private lesson goals while providing material sturdy enough for classroom performance contexts.

Skills your students will build

  • Long and controlled bow strokes with dynamic shaping
  • Slurred legato and staccato articulation
  • String-crossing slurs
  • Time signatures including 6/8, 3/8, and cut time
  • Dotted rhythms, triplets, sixteenth notes, and syncopated rhythms
  • Major and minor left-hand patterns with extended fingerings
  • Beginning shifting and octave harmonics
  • Intonation adjustment across multiple positions

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