Developing Band Warm-Up: 1st B-flat Clarinet
By Robert W. Smith
Grade: 2
Item: 98-PC-RWS1826_C1
Pickup currently not available
Description
Original Item#: RWS-1826-00
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About the Composer: Robert W. Smith

Robert W. Smith stands among America's most prolific and performed composers for concert band and orchestra. His catalog exceeds 400 published works, the vast majority released through Alfred Music, and his original compositions have traveled to audiences across North America, Europe, Australia, and Asia. His symphonic works, including The Divine Comedy and The Odyssey, established him as a major voice in the field, while pieces like The Tempest became foundational repertoire for developing ensembles.
Smith holds degrees in music education from Troy State University and a master's degree from the University of Miami. Beyond the concert hall, his compositions have reached audiences through Olympic broadcasts, the Macy's Thanksgiving Day Parade, and major television productions. As a conductor and clinician, he has worked extensively throughout the United States, Canada, Japan, Australia, and across Europe, bringing his expertise directly to musicians at all levels.
Why we love this
Smith designed this specifically for the realities of developing bands: a single-page warm-up that covers the essential foundations without overwhelming your rehearsal time. The structure hits tone quality, intonation, articulation, flexibility, and dexterity in a logical sequence, so your students get a coherent daily routine rather than scattered exercises. From a conductor's standpoint, this is efficiency paired with musical intent.
What to expect
The warm-up unfolds with clear pedagogical purpose: you move from foundational tone production through articulation and flexibility work, ending with expressive possibilities. Each section feels purposeful rather than rote, grounded in Smith's understanding of what developing musicians need to address.
Who it's for
This warm-up is built for Grade 2 concert bands with mixed instrumentation at the beginning and developing stages. Directors managing students who are still solidifying fundamental technique will find the scope manageable for daily use without eating into rehearsal time meant for repertoire.
How to get the most out of it
- Start each rehearsal with this warm-up in the same order to build consistency; your students will internalize the progression and use the familiar context to focus on technical refinement rather than learning new material.
- Use the conductor score to watch for balance across sections during intonation passages; spot-check individual students on sustained notes to catch issues before they compound across the ensemble.
- Encourage students to listen across parts during the flexibility and articulation sections; developing musicians often focus only on their own line and miss how their work integrates with the full sound.
How to use it
Open every rehearsal with this warm-up, whether your concert is two months away or two weeks. The single-page format means it lives in every student folder and becomes part of your ensemble's identity. Over time, you'll notice improvements in your band's baseline tone, intonation, and articulation that carry directly into your concert repertoire.
Skills your students will build
- Tone production and quality across the full range
- Intonation awareness in sustained passages
- Clean articulation at various speeds
- Flexibility between registers
- Finger dexterity and technical control
- Expressive phrasing and musicality