Destined to Fly: Baritone T.C.
By William Owens
Grade: 2
Item: 98-PC-DB1723_BTC1
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Description
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About the Composer: William Owens

William Owens was born in Gary, Indiana in 1963 and has spent his career establishing himself as a compositional voice for young ensembles across North America. A VanderCook College of Music graduate (1985), he combined three decades of classroom teaching with prolific composition, creating over 300 works for concert band, string orchestra, and chamber ensembles since 1993. His music appears on honor lists and in educational texts nationwide, and he has received commissions from the South Plains College Department of Fine Arts, Phi Beta Mu International, and the American Bandmasters Association.
Owens retired from band directing in Texas in 2014 and now resides in Fort Worth with his wife Georgia. Beyond music, his interests include American Presidential history and his collection of Chevrolet Corvettes. He holds membership in ASCAP, the Texas Music Educators Association, and Phi Beta Mu International Bandmasters Fraternity, and was recognized as a Distinguished Alumnus by VanderCook College.
Why we love this
Owens writes with the maturity of a three-decade band director who understands exactly what Grade 2 ensembles can achieve when given music that respects their growing musicianship. The piece balances accessibility with genuine emotional depth, offering young musicians a substantive work that feels important to perform rather than merely instructional. Programs seeking a reverent, musically rewarding tribute piece will find this unforced and genuinely moving.
What to expect
The music unfolds with a quiet dignity and gentle momentum, evoking the freedom and boundless imagination of a spirit unafraid to pursue dreams. Rather than heavy or mournful, it offers a contemplative tribute that feels both intimate and expansive, with flowing lines that seem to soar and settle in turn.
Who it's for
Young concert bands at the Grade 2 level seeking repertoire that combines technical accessibility with genuine musical and emotional substance. This piece works well for ensembles ready to move beyond straightforward educational material toward works that demand interpretive maturity and unified ensemble response.
How to get the most out of it
- Shape the flowing melodic lines through careful attention to phrase length and breath placement; resist the urge to fragment what should feel sustained and connected.
- Let the harmonic movement guide your tempo decisions; the tranquil character allows flexibility that keeps the piece breathing naturally rather than feeling metronomic.
- Balance transparency in the ensemble so that the narrative arc of the tribute emerges clearly; this means strategic dynamic control that highlights the thematic material without overwhelming it.
- Invest time in intonation and blend across the full ensemble, since the piece's emotional impact depends on unified, centered sound rather than soloistic display.
How to use it
Program this as a centerpiece in a concert devoted to themes of remembrance, aspiration, or tribute. Its Grade 2 accessibility paired with its emotional resonance makes it equally suited to memorial services, spring concerts, or festival programming where you want to showcase young musicians performing serious, heartfelt literature.
Skills your students will build
- Phrasing across longer melodic lines in tranquil tempos
- Dynamic control and transparency in ensemble balance
- Sustaining a lyrical, singing tone quality throughout the piece
- Controlling intonation and blend in moderate-tempo harmonic progressions
- Interpreting emotional content and narrative structure in concert band repertoire