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Dedicatum: Concert Band Conductor Score & Parts

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Dedicatum: Concert Band Conductor Score & Parts

By Timothy Loest

Grade: 1.5

Item: 98-B1134

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Description
This exciting new overture begins with a bold unison statement presented under an upper woodwind ostinato. The unison statement continues to develop until it is presented in full harmony. Softer treatments of the melody along with lyrical passages full of suspensions all contribute to the overall quality of the piece. Excellent writing! (2:30)

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Additional Details
Series: FJH Developing Band
Publisher: The FJH Music Company, Inc.
UPC: 674398210053
SKU: 98-B1134

More about this title

About the Composer: Timothy Loest

Timothy Loest

Timothy Loest has built a career around writing music that serves young musicians without sacrificing artistic quality. His compositions for developing bands are performed by ensembles across the country, and his work has reached audiences far beyond the concert hall—from network television broadcasts to performances for thousands at Chicago's Millennium Park. He received the Illinois Grade School Music Association's Cloyd Myers Memorial Award in 2017, recognizing his sustained impact on music education.

Loest brings three decades of classroom experience to his compositional voice. He holds degrees from Illinois State University and Northwestern University, and he has contributed to widely-used pedagogical resources including Measures of Success and the Warm-ups and Beyond series. In 2022, he founded Fanfare Music Press to publish high-quality band music. His works appear regularly on television and in concert halls, and he continues to accept commissions through his website.

Why we love this

This overture balances accessibility with genuine sophistication. The opening unison gesture under upper woodwind ostinato gives your ensemble an immediate sense of momentum, while the harmonic development and suspensions that follow show students how a simple idea can transform into something lyrical and substantial. At Grade 1.5, it delivers real musical reward without overwhelming young players.

What to expect

The piece opens with bold confidence, that unison statement cutting through the upper woodwind shimmer like a proclamation. As it unfolds, the texture thickens and softens, moving through lyrical moments touched by subtle harmonic tension before settling into a warm, full-voiced conclusion. It has the quality of a real overture: energetic and purposeful, yet thoughtfully constructed.

Who it's for

Beginning to early-intermediate concert bands looking for a showpiece that engages both players and audiences. This overture works for ensembles with solid fundamentals but developing intonation and balance skills; the Grade 1.5 level ensures accessibility without requiring advanced technique.

How to get the most out of it

  • Shape the opening unison statement with clear articulation and consistent tone across all parts; the ostinato overhead should sit lightly and not overshadow the main melody.
  • The softer treatments of the melody benefit from controlled dynamics and careful balance—pull back on inner voices so the cantabile line sings through.
  • Emphasize the suspensions during the lyrical passages by holding them just long enough for listeners to hear the tension before resolution; this detail separates a polished performance from a rushed one.
  • Use the full 2:30 runtime to breathe between sections; avoid pushing the tempo when excitement builds, letting the harmonic progression carry the forward motion instead.

How to use it

Program Dedicatum as a strong concert opener or as the central work in a concert highlighting Grade 1 and 2 literature. Its 2:30 length makes it ideal for sharing a program with longer works, and the combination of bold gesture and musical refinement gives young musicians a sense of accomplishment. It also serves well as a rehearsal focus for teaching balance, sectional independence, and phrasing.

Skills your students will build

  • Maintaining unison articulation and tone across multiple instruments
  • Balancing a melodic line against an accompaniment figure
  • Hearing and performing suspensions with proper resolution
  • Layering simple ideas into fuller harmonic textures
  • Sustaining musical phrasing across longer melodic passages

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