Declare Your Maker's Praise! (with "Gabriel's Oboe"  "This Is My Father's World") Sheet Music Preview

Declare Your Maker's Praise! (with "Gabriel's Oboe" "This Is My Father's World"): Choral Octavo

By Ennio Morricone / Arranged by Lloyd Larson

Item: 35-DS00305935

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00305935

More about this title

About the Composer: Ennio Morricone

Ennio Morricone (1928–2020) was an Italian composer whose film scores shaped cinema across seven decades. His melodic gift and orchestral sophistication earned him four Academy Awards and worldwide recognition, but his influence extends equally into sacred music. Morricone understood how to build emotional depth through simple, singable lines that carry profound spiritual weight, a skill that translates beautifully to choral settings.

Why we love this

Lloyd Larson's arrangement anchors Morricone's "Gabriel's Oboe" and the hymn tune "This Is My Father's World" into a single, cohesive declaration that feels both intimate and grand. The pairing gives singers a chance to work with genuinely memorable melodies while the orchestration (available separately) supports without overwhelming, making this accessible for smaller choirs without sacrificing musical substance.

What to expect

Serene but declarative. Morricone's oboe theme carries quiet dignity, while the hymn tune grounds everything in steadying conviction. The combination feels like a conversation between contemplation and affirmation, never sentimental despite its emotional openness.

Who it's for

This octavo works for choirs with solid musicianship but flexible voice parts, since the arrangement accommodates varied ensemble sizes. Holiday concerts and worship services both benefit from its blend of recognizable melody and spiritual directness.

How to get the most out of it

  • Shape the opening declaration with clear phrase contours; these melodies need air and space to land emotionally rather than rushing through.
  • Balance the integration of the two musical themes by listening for moments where they might conflict rhythmically or harmonically, then adjust ensemble entrances accordingly.
  • Let the text drive pacing in the hymn section; resist the urge to drag when the harmonic movement becomes rich.

How to use it

This sits naturally in a Christmas or Advent program where you want something more reflective than festive. It also works as a powerful closing anthem for a winter worship service, particularly when the full orchestration can support the choir's voices.

Skills your students will build

  • Balancing two distinct melodic lines within a single piece
  • Singing legato over sustained harmonies without losing forward motion
  • Interpreting text-driven phrasing in sacred contexts
  • Ensemble blend when doubling occurs across voice parts

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