Declaration Of Faith: Choral Instrumental Pak
By Joseph M. Martin
Item: 35-PK00234337
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About the Composer: Joseph M. Martin

Joseph M. Martin trained as a pianist at Furman University and later earned his master's degree in piano performance from the University of Texas at Austin, where he also taught in the Piano Pedagogy Department for five years. His performance career has taken him across concert stages in the United States and Mexico, including wins at the Nina Plant Wideman Competition and appearances with major orchestras; his recital broadcast from Mexico reached national audiences. Today Martin divides his time between concert performances and composing and arranging music for worship settings, having built a catalog heard in churches across North America and in venues ranging from Carnegie Hall to regional theaters.
Martin's compositional voice reflects his dual expertise in classical piano training and sacred music. His works demonstrate a sophisticated understanding of both instrumental and choral writing, paired with an instinct for texts and contexts that matter to church musicians. He remains based in Austin, Texas with his family.
Why we love this
Martin's setting captures the architectural strength of these hymn texts without sacrificing energy or accessibility. The quasi-classical approach to the choral writing feels elegant rather than precious, letting the confidence in the text shine through the lightly detached vocal lines. This is exactly what you need for heritage services or Reformation celebrations where musical substance and theological clarity matter equally.
What to expect
The music radiates optimism without sentimentality. Listeners encounter hymn texts rendered with classical restraint and energy simultaneously, as if a period composer had decided these affirmations deserved elegant instrumental support. The performance unfolds in just over three minutes, moving with purposeful forward momentum.
Who it's for
This setting works well for church choirs with access to orchestral accompaniment, whether through recorded tracks or live musicians. It suits congregations preparing for Reformation services, heritage celebrations, or concert presentations where affirmations of faith call for music with both musical substance and confidence.
How to get the most out of it
- Balance the lightly detached character of the vocal lines by maintaining a steady, confident tempo; rushing undermines the quasi-classical poise Martin intends.
- Shape the text through careful attention to where the orchestra swells to support climactic moments and where voices should emerge transparently.
- Rehearse the choral parts and orchestral parts separately first, then layer them gradually so singers understand exactly how their lines interact with the accompaniment.
How to use it
Open a service or concert with this piece to establish a tone of theological conviction and musical sophistication. It pairs naturally with other hymn settings or choral works addressing faith and heritage, and its modest duration makes it an excellent choice alongside longer liturgical or concert repertoire. Consider performing it during Reformation observances or as part of a program celebrating the hymn tradition.
Skills your students will build
- Singing with precise rhythmic articulation in a quasi-classical style
- Balancing choir tone with light, detached vocal production
- Responding to orchestral cues and matching instrumental phrasing
- Projecting text clarity within a musical texture that emphasizes sophistication over dramatic expression