Declaration Of Faith Sheet Music Preview

Declaration Of Faith: SATB Choral Octavo

By Joseph M. Martin

Item: 35-DS00230649

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00230649

More about this title

About the Composer: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin began his musical training in piano performance, earning his bachelor's degree from Furman University in South Carolina and his master's degree from the University of Texas at Austin. He spent five years teaching piano pedagogy at UT Austin while maintaining an active performance career, appearing as a soloist with orchestras across the United States and Mexico and winning the Nina Plant Wideman Competition to perform with the Guadalajara Symphony Orchestra.

Today Martin divides his energy between concert performances and church music work, composing and arranging extensively for worship settings. His output spans an impressive range of styles and contexts; his works have been heard in Carnegie Hall, regional theatres, and countless churches across North America. He lives in Austin with his family.

Why we love this

Martin's gift for writing singable, emotionally direct choral music shines throughout this octavo. The piece manages accessibility without sacrificing musical substance, making it rewarding for both developing and more experienced ensembles. It works as either a concert feature or a meaningful addition to a worship service, giving you programming flexibility.

What to expect

The piece unfolds with quiet conviction, building from intimate moments to fuller textures. There is honesty in the writing; Martin avoids sentimentality while never sacrificing warmth or sincerity.

Who it's for

This octavo serves choirs of intermediate ability and above who want to program something with genuine substance for a concert or worship context. It works well for groups seeking repertoire that connects to faith themes without requiring specialized vocal ranges or extreme difficulty.

How to get the most out of it

  • Build the four-part blend carefully during early rehearsals by balancing each voice part independently before combining them, paying particular attention to soprano and alto balance in any divisi passages.
  • Let the harmonic progressions breathe naturally rather than rushing; Martin's language rewards singers who commit fully to sustaining tones and releasing precisely together.
  • Shape the text through understanding its theological arc, treating declaration not as announcement but as personal conviction emerging from the singers themselves.

How to use it

Consider pairing this with instrumental preludes and postludes to create a complete worship experience, or feature it as the centerpiece of a concert program focused on spirituals and sacred choral works. It also functions beautifully as a concert opener or closer, setting a reflective tone without demanding excessive rehearsal time.

Skills your students will build

  • Four-part SATB balance and blend
  • Sustained legit singing and phrase shaping
  • Interpretation of text with emotional authenticity
  • Harmonic listening within a mid-range contemporary idiom

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