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Deck the Halls: Jazz Ensemble Conductor Score

$12.00 USD
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Deck the Halls Cover Image

Deck the Halls: Jazz Ensemble Conductor Score

Arranged by Ryan Fraley

Grade: 2

Item: 98-HX9002S

$12.00
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Description
It's holiday mash-up time! This is a clever combination of the traditional carol with sultry Brazilian jazz a la Stan Getz. Two transcribed solos are provided for tenor sax and trumpet (or flugelhorn) that mirror the recorded solos, or they can be improvised as desired. The rhythm section parts are fully realized along with suggested piano voicings and bass lines. This is a relaxed and laid-back chart that features sectional solis and the full ensemble for a fresh and modern addition to holiday concert repertoire. Optional parts are included for flute/violin, clarinet and F horn, and the lead trumpet range is to written E top of staff. Highly recommended!

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Additional Details
Series: HXmusic
Publisher: HXmusic
SKU: 98-HX9002S

More about this title

Why we love this

Fraley nails the balance between honoring a beloved carol and making it swing. The arrangement respects both traditions without feeling forced, and the transcribed solos give soloists something substantial to play while leaving room for improvisation if your group is ready for it.

What to expect

Picture a warm, dimly lit jazz club during the holidays. The traditional melody weaves through brushed drums and gentle piano voicings, while the Brazilian inflection gives the carol a sophistication it never had before. Soloists drift in and out with sultry phrasing, and by the time the full ensemble comes together, the whole thing feels both intimate and celebratory.

Who it's for

Jazz ensembles at intermediate levels (Grade 2) that want a festive chart with real soloing opportunities and a modern sound. This works equally well for groups with strong improvisers and those learning through transcription, since both pathways are built into the arrangement.

How to get the most out of it

  • Nail the rhythm section pocket first. The laid-back feel depends on tight comping from piano and walking bass; get those parts locked before layering in the horns.
  • Treat the transcribed tenor sax and trumpet solos as learning models rather than obligations. If your soloists can handle improvisation, use these as starting points for their own conversations.
  • Balance the sectional solis carefully so they sit in the mix without overwhelming the ensemble texture. Think of them as conversational interjections, not spotlight moments.
  • Shape the full ensemble passages with a light touch. The sultry Brazilian jazz character lives in restraint, not in volume.

How to use it

Drop this into a holiday concert in the second half after you've warmed up the room with your opening carols. The stand of optional parts means you can adapt to whatever instrumentation is present, and the relaxed vibe creates a natural transition between traditional and contemporary material.

Skills your students will build

  • Reading and executing Latin jazz rhythms and comping patterns
  • Balancing melody and chord harmony in an ensemble setting
  • Improvisation from a transcribed solo model
  • Responding to sectional cueing and ensemble interplay
  • Executing the specific voicings and bass line approaches written for the rhythm section
  • Adjusting tone and phrasing to match a sultry, laid-back jazz character

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